Re: Writings on Jinnah
April 6, 2003
**AUTHOR: Fateh Muhammad Malik: Passion and duty
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By Nuzhat Rahman
“Teaching is my profession. Nourishing and serving Urdu literature is my passion. The gradual decline of the Urdu language, our writers’ insensitivity, and our governments’ apathy towards literature have prompted me to fight for the survival and revival of our literature and language,” **says Professor Fateh Muhammad Malik. His tone is soft but there is determination in his voice.
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Professor Malik is an acclaimed critic of Urdu literature, a reputed teacher and a renowned scholar of Pakistan Studies and Islam. He has written several books, articles and research papers in Urdu as well as in English on Iqbaliat, Islam, Pakistani culture and Urdu literature, which have been recognized at national and international levels.
With nearly 40 years of teaching and research experience at the postgraduate level, Professor Fateh Muhammad Malik is currently the chairman of the Muqtadara Qaumi Zaban (National Language Authority), an autonomous body established in 1979 by the government of Pakistan to formulate recommendations for the formal adoption of Urdu as the national and official language.
Although Professor Malik retired in 1996 as director of the National Institute of Pakistan Studies, Quaid-i-Azam University, Islamabad, he still takes classes twice a week.
Commonly described as an ‘ideologized literary critic’ by his friends and all those who have seen his work, Fateh Malik is a critic of integrity. His evaluation of the creative works of others is not determined by his personal likes and dislikes. Holding Iqbal’s writings as the epitome of the ideological reference in Pakistan, he uses them as the yardstick for evaluating and analyzing the works of modern writers in his book Ta’assubat. His main concern has been to see progressive nationalism finding expression in Pakistani literature.
With a brilliance of perception, style and understanding, he has never upheld the dictum of literature for the sake of literature. According to him a writer’s work must have a purpose behind it.
Ahmad Nadeem Qasmi and Faiz Ahmad Faiz are his favourite writers. Professor Malik regards their work as a sensible expression of the concerns of their times. Describing Faiz as a “sufi and a socialist”, he admired him for his capacity to ignore his critics. Faiz never felt constrained to prove his patriotism. In his book Faiz: Sha’iri aur Siyasat, Professor Malik writes about Faiz’s poetry and politics with sympathy, coherence and perception to undo the damage done to the poet by the rightists in the establishment.
In an article Malik wrote about Faiz, he defended the poet’s diction and style in these words, “The melody in Faiz’s poetry is not only the melody of Urdu poetry but the very music of our time.” This was a rejoinder to Anis Nagi who had launched a scathing attack on Faiz, describing him as an “old-timer with an out-moded vocabulary”.
Since Malik is not influenced by the literary and social prejudices of our time, he has not been afraid to express views which are not traditional or conformist. He dedicated his collection of essays** Tahseen-o-Tardeed to Qurratul Ain Haider** at a time when she was under attack from most literary stalwarts in Pakistan for her ‘secular’ stance in her widely-acclaimed novel Aag ka Darya. In his article on her, he praised her for her sense of history and for “rejuvenating our collective thoughts”.
In Malik’s view, the quality of Urdu writing has declined and most of our writers look at the west for inspiration and innovation, which itself is lacking in ideas today. In his opinion, our writers need to know more about contemporary Arabic, Chinese and African literature, because these are the regions where the struggle for survival is taking place. That provides the impetus for good literary writings.
Despite the paucity of material in Urdu on the subject, the veteran critic has managed to compile two books on the burning issues of Palestine and Kashmir, Falastin Urdu Adab Mein and Tehrik-i-Azadi-i-Kashmir Urdu Adab Kay Ainay Mein. In these books he has painstakingly collected several items by Pakistani and Indian writers on the two subjects. The book on Palestine includes short stories, which reflect the sympathy felt by the Muslims of the subcontinent for the people of the Middle East and is a tribute to the victims of western imperialism and the treachery of the Arab rulers. The book on Kashmir is a compilation of poems and short stories written on the Kashmir tragedy by some Pakistani writers and a few courageous Indian writers as well.
His biggest concern at the moment is the absence of the ideological and the socio-political context in the modern Pakistani writers’ works. “Our writers have severed their links with life and society. They are living in ivory towers; oblivious to our dilemmas, our concerns and our national sufferings. They exist in a vacuum. They are only concerned about the awards they seek, book launching ceremonies and, if possible, some trips abroad at the expense of others.
“We hardly come across a book highlighting any national issue of socio-political or cultural significance, which could bring the country in the international spotlight, as Arundhati Roy’s works have done in India. Our litterateurs have even failed to play an active role in our national politics. We do have some journalists today writing objectively and highlighting national issues and our ideology, but, these writings are no substitute for literary works or creative writing. This has prompted me to write articles and books on political issues, setting aside literary criticism for the time being.”
Professor Fateh Muhammad Malik holds our bureaucracy responsible for not promoting Pakistan’s image, and projecting the Urdu language and its cultural heritage at international level. Professor Malik has been to Germany twice to hold the Iqbal Chair at Heidelberg University in 1984-88 and in 1992-96. He has many nostalgic and fond memories of the place when he could introduce Pakistan and Urdu in Germany. He, however, feels resentful of the Pakistan embassy’s couldn’t-care-less attitude towards the language and literature.
At the Muqtadara, Professor Malik is busy getting an Urdu software developed for which the Ministry of Science and Technology has provided financial help. It has already supplied an Urdu keyboard to Unicode of which the Muqtadara is a member.
To integrate Urdu with other local languages of Pakistan, the Muqtadara has a programme of publishing Sindhi-Urdu, Dari-Urdu and Balti-Urdu dictionaries. It has recently published a comprehensive Qanuni Angrezi Lughat in two parts, Darsi Urdu Lughat, Islami Qanuni Lughat, Urdu-Uzbek Lughat and many more important books on various subjects.
Speaking about his future plans, Professor Malik says, “I want to write a book on the intellectual history of Pakistan — its rise and fall. It will be a history of the Pakistani phase of the Progressive Writers Movement — from 1948 to 1954.” It was the phase when writers were active and progressivism and nationalism provided common ground for writers holding diverse views. Reminiscing about his colleagues of that era Professor Malik narrated a verse by Hasan Abidi:
**Kuch ajab bu’e nafas aati hai deevaron se
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Haa’e kiya log thay zindan men bhi ham se pahlay
**Fateh Mohammad Malik: profile
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Born in village Tehi (Tala Gang) in 1936
Education: primary schooling in Tehi, high school education in Tala Gang, college education at Campbellpur 1952-1956. Masters in Urdu from Punjab University in 1959.
Professional life: Worked part time as sub-editor in daily Tamir while teaching at Gordon College. Started writing for Radio Pakistan in 1959. Worked as lecturer of Urdu at Government College Rawalpindi, 1961-1972. Was Deputy Director Lahore Curriculum Research and Development Centre. Joined Quaid-i-Azam University in 1974. Was chairman of the Department of Pakistan Studies 1975-1978. Senior Research Fellow, Southern Asian Institute, Columbia University, New York in 1975. Served as Director National Institute of Pakistan Studies, at Quaid-i-Azam University 1983-1984, 1988-1996. Was visiting professor (Iqbal Chair), Heidelberg University (Germany) in 1984-88 and 1992-96.
Publications: Taassubat (1973), Andaz-i-Nazar (1979), Tahsin-o-Tardeed (1984), Iqbal: Fikr-o-Amal (1985), Faiz: Sha’iri aur Siyasat (1988), Punjabi Identity (1989), Iqbal aur Afghanistan (1989), Ahmad Nadeem Qasimi: Sha’ir aur Afsananigar (1992), Islam and the West (1999), Apni aag ki talash (1999), Kashmir Kahani (2001), Fikri Tangdasti (2001), Iqbal Faramoshi (2002), Ghulamon ki Ghulami (2002), Islam versus Islam in Pakistan (under publication)
Edited: Muntakhab Afsane (1980, 1981, 1982), Falasteen Urdu Adab ke Aaine Mein (1983), Tehrik-i-Azadi-i-Kashmir, Urdu Adab ke Aaine Mein (2001), Has also written several research articles and has contributed chapters to various books.
AUTHOR: Fateh Muhammad Malik: Passion and duty -DAWN - Books and Authors; April 6, 2003