Pakistanis no longer Bollywood baddies
Pakistanis no longer Bollywood baddies
Sun 14 November, 2004 06:23
By Mike Collett-White
http://www.reuters.co.uk/newsPackageArticle.jhtml?type=entertainmentNews&storyID=620728§ion=news
BOMBAY (Reuters) - Pakistanis, once portrayed in Indian movies as extremists and terrorist sponsors, are morphing into Bollywood heroes.
Art is imitating life as the huge Indian film industry taps into a peace process between South Asia’s old rivals, spawning co-productions, stars crossing borders and movie pitches that would have been unthinkable just three years ago.
Actors, producers and directors believe Bollywood, followed religiously by Pakistanis as well as Indians, has the power to help bring the divided countries closer together.
“The thing that prevents Pakistanis going totally anti-Indian is the films,” said leading Bollywood director Mahesh Bhatt, who wants to make two films in Pakistan set around the time of the partition of British India in 1947.
But first up is “Veer-Zaara”, a romance by another top Bombay director, Yash Chopra, that has just been released.
The film, shot in India and starring major Bollywood stars, follows a couple who bridge the India-Pakistan divide.
While Chopra seeks to play down the politics of his first feature film in seven years, he concedes that a backdrop of tension between countries that have fought three wars was key to its appeal.
“If Pakistan had not been there it may not have been so dramatic. The background has created the drama,” he told Reuters in a recent interview in Bombay offices crammed with Indian film awards.
“In my film, Pakistanis are positive characters. Relations between the people have never been bad, but those between politicians, governments and bureaucrats have been.”
Those relations have begun to improve over the past year, as India and Pakistan embarked on a glacial peace process that has seen transport links reopened and the two cricket-mad nations battling it out on the pitch.
But the central issue of Kashmir, which is disputed by the nuclear neighbours, has yet to be resolved.
India accuses Pakistan of supporting separatists in India’s part of Kashmir, the country’s only Muslim majority state. Pakistan calls the Kashmir rebellion a legitimate freedom struggle and accuses India of human rights abuses in the region.
AMBITIOUS PLANS FACE HURDLES
Chopra wanted to film part of his romance in Pakistan, but bureaucratic red tape got in the way.
“We wanted to shoot some parts of it in Pakistan, but we couldn’t get permission,” he said of the $5-million picture. “These things are so difficult, there are so many hassles, obstacles and restrictions.”
Bhatt’s plans are more ambitious, but face the formidable hurdles of Pakistani officialdom and a small film industry worried about being swamped by Bollywood.
The veteran is the Indian half of “Nazar”, an unprecedented co-production with Pakistan due to hit the screens in January.
It stars Meera, a leading light in Lollywood, Pakistan’s answer to Bollywood based in the eastern city of Lahore.
“This is the first co-production between Pakistan and India, but it has nothing to do with India-Pakistan relations,” Meera told Reuters by telephone from Bombay, where she has just finished shooting.
Whether the movie ever makes it to Pakistani cinemas is unclear. Although Bollywood films are readily available in video stores across Pakistan and are watched by millions on cable television, they are officially banned in theatres.
“Inshallah (God willing) we will release it in Pakistan at the same time as internationally,” Meera added.
Bhatt has two more films in the pipeline, both of which he insists must be shot in Pakistan.
“Ultimately it is up to the government of Pakistan and the local industry there which has to feel comfortable and not see this as cultural colonisation,” he told Reuters. “The arts have always been in the hands of politicians.”
“Partition” tells the story of a wedding train travelling from the city of Rawalpindi, now in Pakistan, at the time the partition of British India was announced.
A Muslim boy helps rescue a Hindu girl from the communal violence in which tens of thousands were killed. He remains in what becomes Pakistan, and is slain by his brother for helping to save the life of an “infidel”.
The second venture, “Lal Haveli” (Red Mansion), portrays a Muslim dancing girl and a Hindu lawyer who fall in love in Rawalpindi, but are torn apart by partition. Meera has signed up to play the female lead.
“It is one baby step to use an icon of their country and make her part of Bollywood,” Bhatt said in Bombay. “I feel there is untapped human capital in Pakistan.”
The projects mark a shift from action-based, jingoistic blockbusters portraying Pakistan as a country that breeds and supports terrorism in Kashmir, the trigger of two of the three wars that India and Pakistan have fought.
Many have proved popular, although the 2003 epic “LoC Kargil”, based on a brief military conflict between India and Pakistan in 1999, bombed at the box office.
In fact new plotlines focusing on star-crossed lovers reflect real-life dramas being acted out across South Asia.
In one celebrated case this year, an Indian woman spent months fighting deportation from her husband’s native Pakistan.
In a happy ending worthy of Hollywood, Bollywood or Lollywood, she won Pakistani citizenship in September – a month after the couple had a baby boy.