Uncle Sargam

What is Farooq Qaiser doing these days? According to this article he is currently in Islamabad working on a PTV programme, “Khwab Sitarey”. But this article isn’t dated, so dunno how old this is. Anyone know what this interesting person is upto these days ? Our country would benefit from more individuals like him who dare to not only dream, but do.

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http://www.mag4you.com/spotlight/inside.asp?id=1587 [Selected excerpts only]

…] “I am serving the field of entertainment to reduce tension amongst people affected by the volatile world around them. It’s a duty,” he says.

…] [Farooq Qaiser] graduated from the National College of the Arts, Lahore in 1969. Despite topping in college, Farooq failed to get a job. In 1971 he got his first break with Shoaib and Muneeza Hashmi’s play Akkar Bakkar, writing and making puppets.

…] Commitment to passion exacts a price and requires courage. Leaving secure government employment as a grade 18 deputy director in Lok Virsa was seen by many as the act of a nutty professor!

…] “There is no concept of leaving a secure job in Pakistan,” says Farooq who, assisted by his wife’s encouragement to have confidence in himself, decided in favour of Haiga and Sargum. Contracts with UNICEF and UNESCO followed, which kept him financially solvent.

Farooq does the lead character of Uncle Sargum himself. It is styled and caricatured after his professor in Bucharest University, Professor Molnar.

…] "We have used the sound systems of mosques to stage our plays, and the local maulvi sahibs have compered the proceedings. We have done two shows for a large religious organization and played to an audience of 500,000 people.

It was an extraordinary experience that I cannot describe. We will be pleasantly surprised at the responses if we shed our preconceived notions and prejudices and become proactive in communicating across the board."

…] In 1997 UNICEF awarded Farooq Qaiser the title of ‘Master Puppeteer of the Region’ in Malaysia. A fellowship with the University of California followed, with him being compared to Jim Henson, originator of Sesame Street and the Muppet Show.

…] These days Farooq Qaiser is a very busy man doing Khwab Sitarey, a weekly programme on PTV for kids that teaches them how to make a puppet, write a song, compose music, and how to listen to music.

For grownups, he’s working with various channels. His Hu ba Hu on Indus TV had 100 episodes. In addition, Farooq does daily cartoons for two newspapers focused on social satire through Masi Sargum.

What is the philosophy and message that he tries to convey through these efforts? “One message that comes from the heart concerns our hypocrisy that has remained unbridled since the beginning, the plague of dual personalities. We haven’t managed to create and maintain institutions. On the other hand we have proved very good at destroying institutions. There is no justice in any department. We’ve led our lives the best way we could, but the concern is for the coming generations. These are the concerns that we communicate through skits in a lighter vein.”

Farooq wants to make good puppet theatre. Unfortunately his initiatives have fallen victim to bureaucratic rigmarole. “I wanted to hand over my skills to a new generation so they could take it forward. Babar Niazi has proved to be a good understudy. But not many have come into puppet making or scriptwriting. There is no platform. There is no place to learn for those willing to enter. The Peerzada brothers have done a great job on their own in Lahore. I am based in Islamabad and would like to see it flourish here.”

Faizaan Peerzada is the President of the United Nations International Marionettes Association, and Farooq is its Vice President. Farooq Qaiser’s great lament is that we’re not producing classics any more, and the attention span has gone from six months to six days. “There is no new Iqbal, Ghalib or Sadeqain. The new generation should focus on producing work that will be remembered for 50 years at least.”

Nadia, this is so cool :k:

I often used to think, and still sometimes think, that since our country is poor, do we really need to spend resources on things like media entertainment and sports? But, when I reflect back, I think it was so important that we did have those avenues available for entertainment. Uncle Sargam and Maasi Museebte, these two characters are dear to all of us :slight_smile:

Definitely, we need more ppl like FQ who are creative, enterprising and sincere with their professions and are not into it for the money, cuz there is not much money to be made in theatre in Pak, or atleast there was not in the past :slight_smile:

these charcters really faded away now, new generation doesnt even know about them.

FQ created legends and now its gone, we can use these or add some new to stop our kids following blindly the western kids media invasion.

the line that caught my attention most, there is no Iqbal, Ghalib or Sadqain. in 56 years we failed to produce creative thinkers. thats really sad for our nation.

Though there are some people doing their best with own efforts.

No doubt his services are priceless, but some people are keeping that tradition alive. Rafi peer theater group organize every year an international puppet fastival. And over the years it has grown into a mega event. People take their children to these shows and children learn new stories from all around the world. Hats of to them and to Farooq Qaisar :k:

During my school days, I was very close to Farooq Qaiser, Baber Niazi his brother and the rest of the Kalliyaan clan in Islamabad because they worked in our school, and even then they had alot of financial constraints and problems. As for the present, I dont think Uncle Sargam appeals to the new generation anymore, but I dont blame him, its because of the presence of so many channels. Back then, there was just one PTV to survive with, and even that wasnt 24 hours. Kalliyaan was produced for thei children, but it was really meant for adults, with the seriousness in it.

*this guy has the best voice ever. so much depth and clarity uncle sargam zindabad *

:k:

Irem :flower1: :flower1:

The value of this show went beyond purely ‘entertainment’ purposes, i think… it was educational, it was informative, and the bonus was that it was fun as well. An entire generation was raised upon Uncle Sargam and they identify with this show on a personal level… it’s too bad we don’t have clips from the show or i’d have uploaded them in the video gallery. A society is made up of so many diverse aspects, and arts&culture are just one of them; without this avenue of creative expression, a society is truly deprived.

Code_Red, yes that’s what i was wondering about, actually - the Rafi peer theatre group. i THINK Farooq Qaiser is still a member of that ?

Spock, oh wow you met him ? Do you mind sharing what that was like - what was he like in person, etc?

Shak kills, i agree… the new generation does not remember.

BiB and GGG, :slight_smile: Thanks for your comments.

Farooq qaisar is based in islamabad and RPTW is based in lahore. Dont know about any colaborations...

Actually festival time starts in Lahore with spring and then starts the bonanza of events, Puppet festival (Participants now comming from more then 30 countries), Hourse and cattle show/ tatto show , Basant and different food and cultural shows. Rafi peer theatre workshop has done a lot of good work. have a look..

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Rafi Peer Theatre Workshop - Magic Paintbrush

This highly acclaimed international touring Theatre Company from Lahore visits the UK for the first time with their universal tale of good versus evil. Rafi Peer 's spectacular production tells its story in as entertaining a play as has yet been seen at any Mela. Puppetry in Pakistan is designed with the whole family in mind - this is not a show that is just for the kids. It's for all of you. Its amazing lighting effects, striking giant puppets, live music and enchanting storyline fully take up the Mela's main stage.

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Rafi Peer Theatre Workshop is the only company in the country that has International co-productions
- mostly with European companies.
- Four major international festivals - which brought over 30 countries at a time to Pakistan and exposed our audiences to a wealth of different cultural experiences.
- One national dance festival.

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It is the only organization in Pakistan that has done extensive work for the development of theatre with it’s focus on youth and children.

Nadia, hes a very down to earth guy. It was extremely easy to meet him, go upto him and talk to him. Did you know that his name was actually Qaiser Farooq, but he had to change it to Farooq Qaiser, because there was another prominent PTV artist by that name, and people would always confuse the two. Him, Babur and the rest of the kalliyaan ppl used to work very hard with school kids, and recruit them in so many PTV shows. Even I went to 2-3 shows, and at that time being on PTV was something extraordinary, since there was only one channel at that time, and everyone would be watching it. Sometimes during his puppet show, he would even respond to the occasional comments, someone in the crowd would make. Once I remember a friend of mine (this was in grade 3 I think) shouted 'uncle sargam aap barey ho kar kya banney gey', he goes 'me tu pehle se hi bara hoon, rolley (his sidekick) se poochtey hain', and rolla goes 'uncle me bara ho kar Abba banoon ga'. Babur Niazi and his brother taught music at Beaconhouse Islamabad, at our school. Im not sure if they still do so or not.