The Great Bollywood Hoax

From the mouth of a supposedly well known Indian film maker himself… Some excerpts from the interview, the comments are in parenthesis…

"I think it’s unrealistic of people to think that Aishwarya can walk into Hollywood and become Nicole Kidman.

It ain’t going to happen." – Ashok Amritraj

With all the talk of Indians stars crossing over to Hollywood, nothing has happened really. Despite Aishwarya’s haloed presence, Bride and Prejudice was no Bend it Like Beckham. Mira Nair’s first mainstream Hollywood film Vanity Fair was panned and Shekhar Kapur has not emerged from the Four Feathers debacle. Ashok Amritraj, the owner of Hyde Park Entertainment, a company involved with mainstream Hollywood films like Raising Helen, Bandits and Original Sin is widely regarded as India’s only permanent representative in Hollywood. In this interview he gives reasons as to why the ‘crossover’ will take a long time coming.

By Meena Iyer

How would you describe your 25–year stint in Hollywood?

Till 1991, I was an outsider. It was only after my film, Double impact, with Jean Claude Van Damme became a hit, that I actually made my mark in Hollywood.
For the first 10 years I belonged to the 99 per cent on the outside, looking in. now I belong to the one percent, which is on the inside, looking out.

In your opinion has any India movie actually crossed over?

No. A business of 25 to 30 million is roughly the benchmark at which you can consider that a film has crossed over and attracted a white or Caucasian audience. That has not happened so far.

Aren’t Mira Nair and Shekhar Kapur recognized in Hollywood?

Mira is wonderful with the small movies that the makes. She is best known for Salaam Bombay and Monsoon Wedding. But her Vanity Fair was a non–no. Shekhar Made Elizabeth, which was a UK collaboration. But Four Feathers was no good. In my opinion we haven’t had a true Indian crossover film, which is rather unfortunate.

China had Crouching Tighter Hidden Dragon, Italy had Life is Beautiful and France had Amelie, all of which were major in Hollywood. But India has nothing in this league so far. (Note: He forgets Ying xiong/Hero released last fall which garnered cult following in the US following it’s 50+ million gross. The movie won massive critical acclaim well)

Another interesting phenomenon in Hollywood is that we’re looking to remake certain Asian films. But the films are primarily Korean, Japanese and from Hong Kong, nothing from India. I don’t think originality is the strong point of Indian cinema anyway.

Is there no director of Indian origin who’s renowned in Hollywood?

Manoj Night Shyamalan is the only director with Indian roots who I’d say could call the shots in Hollywood. Manoj has had four successful movies (Sixth Sense, Unbreakable, Signs, The Village) and he is perhaps the only India who can approach a studio if he wants to market a movie. Others have to wait for their phone to ring.

I hear Manoj is looking to film his next project, the Life of Pi, in India. So that will definitely offer Indian actors quite a few opportunities.

(Out of a population of 1 Billion + self procalimed “geniuses” they could turn in only one decent director - and that too an American born South Indie…tsk tsk)

You were talking about making a movie yourself with an Indian girl and an American hero, weren’t you?

Yes, I was here in March last year to look for and Indian girl to play the lead in my movie, a love story between an Indian girl and an American. Guy. Karan Johar helped me get acquainted with some of the top actresses here. It is a star–making role for a girl. But I can’t seem to be able to get an American director interested in such a project. I keep getting the classic shake of the head. If put Jennifer Lopez instead of the Indian girl perhaps we’d get talking.

(* Trust me Mr Amritraj, NO one would be interested in watching some ugly brown b*** shaking her a** with some gora on a retarded bhangraa number)*

The British directors understand India better, but your average American is not in the least bit curious about India. For most of them India, Pakistan and the Middle East are one. They are curious about this part of the world only because of the war. And you have to actually point out India and Pakistan on the map for them.

Are you still looking for the Indian girl?

Honestly, I haven’t looked very hard. It is just that I have my hands full with my Hollywood projects and haven’t been able to take myself away from those. You’ve got to jut go along with the flow. You know what the Bible says about having seven years of plenty and seven years of famine. I’ve had my seven years of famine.

Re: The Great Bollywood Hoax

This pretty much shatters the myth. All that bravado about Indian cinema conquering the world is just pure bulls*it - and to imagine the naive Pak folks on this forum who are led into believing this by some people who are rather too full of themselves and the insanity that's Bollywood. Cut that crap, let's move on - is Nicols_John listening?

Give me one Ang Lee, who is now directing Hollywood biggies like Heath Ledger and Jake Gyllenhall, who has one an oscar for the best foreign film. The guy produces hits year after year. Give me one Jackie CHang who is a household figure in the west. Ying Xiong/Hero had a worldwise gross of $180 Million; it made over a 50 Million bucks in US alone. And that for a pure Mandarin movie, not some tailored to the western tastes "cross over" film.

Give me real stuff and not just hollow loud talk. Bollywood is BS.

Re: The Great Bollywood Hoax

what's the point? bollywood has a vulcan death grip on south asia - a much larger market than hollywood's.

Re: The Great Bollywood Hoax

:rotfl: - you just lost me right there man… a soft-porn movie maker talking about making it big in Hollywood - how ironic.

Re: The Great Bollywood Hoax

^^ awww....Umr Talib and his love for hindiwood...... :)

Umr, tum Bumbaee ja kar apni qismat kyoun nahee aazmatay?

Re: The Great Bollywood Hoax

i think we all knew this by now. Most indian movies are rip-offs (or adaptions as they like to call it) so ofcourse they are not gonna get huge international recognition. When a film like kal ho na ho is the equivalent of hollywood epic lotr- return of the king, you know something is wrong.

Re: The Great Bollywood Hoax

Growing up in Lahore in a family steeped in Bollywood – and its poor cousin Lollywood – Haydur Agha resolutely resisted the subcontinent’s celluloid lure in his teenage years.
When he arrived in New York in 2001 to study, he found his newly-made South Asian friends in the city equally in thrall of the mush from Mumbai.

“Why would you want to watch something that has been plagiarised?” he would ask them, as they soaked up the latest Hindi movies on DVDs and videos. They even had a few fights over whether to watch a Bollywood or Hollywood movie.

Last week, having taken a year off from school, Agha, a computer jock, decided to do something about it. He strung together a website, www.bollycat.com that catalogs Bollywood films that have been plagiarised or ‘inspired’ by Hollywood flicks.

Agha’s site lists more than 100 movies, starting with the critically acclaimed Black to the celebrated Shree 420 , which he says are knock-offs from foreign movies. “They may not be exact copies, but it’s very obvious where the stories come from,” Agha said in an interview. “If they are just inspirations, they can at least acknowledge it in the credits.”

In Bollycat 's book, Black emerged from a 1962 Oscar-winning classic called The Miracle Worker and Shree 420 's inspiration is Citizen Kane .

Some of the knock-offs are far more brazen.

In the last couple of years alone, Murder took a stab at Unfaithful , Aitraz revealed the story of Disclosure , and Munnabhai MBBS was within a heartbeat of Patch Adams . Hollywood films that have been milked include Fatal Attraction (Jurm) and Analyze This (Hum Kise se Kum Nahin).

Agha acknowledges his idea is inspired by the author Barbara Taylor Bradford’s lawsuit against India’s Sahara TV drama Karishma for allegedly stealing the storyline from one of her novels. Within hours of his website going up, people have been bringing to his notice many unknown instances of knock-offs.

His being from Pakistan has little to do with his dislike for Bollywood, Agha said in a separate e-mail sent later. His roommate from New Delhi is equally against it and refuses to watch even critically acclaimed films he (Agha) brings sometime.

In time, he hopes to evolve Bollycats into a broader catalog, perhaps adding a directory of filched songs, and maybe even a Hollycat.com some day.

Although there have been stray articles about Bollywood’s penchant for plagiarism, Agha feels there has been no effort to put sustained pressure on Bollywood or hold it up to a higher ideal so that it can attain a global standard.

“When they start making original movies, I will stop adding films and shut down the site,” he says.

Agha acknowledges his idea is inspired by the author Barbara Taylor Bradford’s lawsuit against India’s Sahara TV drama Karishma for allegedly stealing the storyline from one of her novels. Within hours of his website going up, people have been bringing to his notice many unknown instances of knock-offs.

His being from Pakistan has little to do with his dislike for Bollywood, Agha said in a separate e-mail sent later. His roommate from New Delhi is equally against it and refuses to watch even critically acclaimed films he (Agha) brings sometime.

In time, he hopes to evolve Bollycats into a broader catalog, perhaps adding a directory of filched songs, and maybe even a Hollycat.com some day.

Although there have been stray articles about Bollywood’s penchant for plagiarism, Agha feels there has been no effort to put sustained pressure on Bollywood or hold it up to a higher ideal so that it can attain a global standard.

“When they start making original movies, I will stop adding films and shut down the site,” he says.