The Damned Rain - Gabhricha Paus is brilliant

A real “honest film”. The Quality of Marathi films is far far better than what is churned out from Bollywood.

GABHRICHA PAUS | THE DAMNED RAIN - Official Movie Website#

**Gabhricha Paus (the damned rain) is brilliant !!! **
Yesterday had gone to attend the preview screening of the marathi film Gabhricha Paus which according to the director means (the damned rain). As the name suggests the film revolves around the theme of farmer suicides in the villages maharashtra.

The synopsis and the promos of the unreleased film can be found here
http://thedamnedrain.com/main.html](http://thedamnedrain.com/main.html)

Most must be knowing that in the recent times, the number of farmer suicides in villages has increased manifold. This is a film set against such a backdrop.

Kisna, our farmer like many others in India or for that matter, in many parts of the world is trying as hard as he has always been. But so many things, including nature are stacked against him. Kisna’s wife is convinced of the fact that he is contemplating ending his life and hence ropes in their 6 year old son, albeit against his wish and comprehension to be with his father all the time and report any irregularities in his behaviour.
From the synopsis and the trailer, it can be made out that the film is not just “another tragic film on a tragedy” and that elements of black humor have been dosed in. In fact this reminded me of the korean films in which a tragic subject is taken and elements of black humor is sprinkled. I could also see a bit of **Pather panchali **and The Bicycle thief in it, and i mean it as a compliment.
Sonali kulkarni is as usual brilliant. Girish kulkarni playing kisna has played the part with perfection. You cannot make out if he’s about to commit suicide or contemplating it or trying to think of a solution to his problems, in scenes like when he is standing on the well. The mother and the kid are almost outdoing each other all the time in terms of performances….both are so good. Of the supporting cast the first character coming to my mind is the cynic farmer whose land is next to Kisna’s. He de-motivates and feeds Kisna with cynicism and pessimism at each of Kisna’s attempts, and listens to Radio mirchi all day along on his ‘charpai’ next to the land, watching Kisna and yet taunting him. He has given up long ago.

His logic is simple. Even if Kisna manages to take the loan and and manages to sow the cotton and if it rains at the right time and if the transport available is cheap; in the larger scheme of things Kisna will get back exactly what he has invested. No profit and a lot of probability for losses. So why bother farming ?

The film also deftly touches upon the government compensation issue (how it does or doesnt reach the farmer’s family in the end, thanks to beaurocracy).
How the already depressing situation becomes worse and how kisna manages to face the ever increasing problems is what forms the rest of the film. Cinematography is picture postcard. The music and background sound is haunting.

This film has been selected for many awards and film festivals both national(PIFF) and international (Rotterdam)

As soon the film got over, and people went upto the makers to congratulate. It was heartening to see anurag kashyap and sudhir mishra liking the film a lot and giving advice to the producer as to how to promote it.

Unfortunately, ths film is still hasnt has released yet. May be the production houses like Zee, UTV, BIG etc pick up this film and release it subtitled not just for the marthi audiences but also for the multiplex junta. It’s an awesome film.
After the screening I could hear Sudhir mishra saying …

it does tread into the dangerous humour territory which was soo present towards the end in my film (hazaron) and I specifically love that territory
Will have to agree with him …
Someone give a proper theatrical release to this film as soon as possible please.

A Pacific Entertainment production. Produced by Prashant Madhusudan Pethe. Co-producers, Harshad Arole, Colin Leo, Clint Leo. Executive producer, Nitin Prakash Vaidya. Directed, written by Satish Manwar.

With: Sonali Kulkarni, Girish Kulkarni, Jyoti Subhash, Veena Jamkar, Aman Attar, Mukund Vasule, Madhukar Dhore, Rajesh More, Vinod Raut, Amit Patil.
(Marathi dialogue)

The Damned Rain Review - Read Variety’s Analysis Of The Movie The Damned Rain

The level of anger running through “The Damned Rain” bursts past its early seriocomic tone, packing a wallop by pic’s end sure to leave auds duly moved. Satish Manwar, himself from farming stock, looks at a village devastated by the epidemic of farmer suicides currently gripping India, crafting a very human tale whose surprisingly mature screenplay and striking lensing belie the helmer-scripter’s novice stature. Winner of the best Marathi feature at January’s Pune Film Festival, this powerful tale is a natural for offshore fests wanting to expose auds to the diversity of subcontinental cinema.

From the opener, featuring a crane shot moving from women in the fields to a view of the parched landscape to a hanged farmer, it’s clear Manwar and d.p. Sudheer Palsane (“The Clay Bird,” “Wild Bull”) have a cinematic and narrative confidence whose understatement still allows for plenty of emotion.

When Alka (Sonali Kulkarni) hears of her neighbor’s suicide, she fears for her own husband Kisna (Girish Kulkarni), who’s barely eking out a living thanks to drought conditions and profiteering traders. She enlists young son Dinu (Aman Attar) and her mother-in-law (Jyoti Subhash) to watch Kisna’s every waking moment for signs that he’ll kill himself, yielding several comical moments that may feel off-kilter to Western auds but are expected at home.

When their debts continue to pile up and they are left with no means of buying cotton seed, Alka has Kisna pawn her jewelry, and he sows his seven acres with renewed optimism. But when the rains are delayed by weeks and the seedlings are ruined, they are forced to sell the jewels outright, hoping the vital precipitation will come.

Interpolated into this focused story are ramifications from the earlier suicide; Manwar’s deep cynicism in regard to the government’s handling of such cases comes through loud and clear.

Though he doesn’t completely dispense with traditional narrative elements, such as the comical mother-in-law, Manwar upends the frivolity by giving her a speech about a lifetime that’s witnessed a slow trajectory downward – it’s not long, but it cinches her character and places the family’s crisis in context.
These aren’t peasants: Each comes from a respectable farming family, suffering from environmental disasters and government inaction. By casually including brief shots of other suicides in the village, pic makes clear the monumental scale of the problem.

Manwar’s excellent script skillfully introduces each character, and thesps are uniformly strong. Widescreen visuals move from village to parched land with a keen understanding of the human dependence on nature, full of hope one moment only to be crushed the next.

Camera (color, widescreen), Sudheer Palsane; editor, Suchitra Sathe; music, Dattaprasad Ranade, Mangesh Dhakde; lyrics, Dasoo; production designer, Ranjit Desai; costume designer, Sanyogita Bhave; sound (Dolby Digital), Anmol Bhave; assistant director, Vinod Lavekar. Reviewed at Rotterdam Film Festival (Bright Future), Jan. 27, 2009. Running time: 96 MIN.

Khaleej Times Online - Film on Farmers’ Suicides Clicks at Box Office

Film on Farmers’ Suicides Clicks at Box Office
Nithin Belle

28 July 2009
MUMBAI — Conventional wisdom has it that films on ‘depressing’ subjects such as suicides by poverty-struck farmers will not do well at the box office, so producers and financiers steer clear from such themes.
Satish Manwar, who grew up in rural Yavatmal in Maharashtra’s backward region of Vidarbha, graduated from Pune University’s centre for performing arts, the Lalit Kala Kendra, and moved to Mumbai to dabble in theatre and films, did exactly that — took up a depressing theme for a film.
‘Gabhricha Paus’ (The Damned Rain), the film that he directed, has been an outstanding box office success, and importantly, has also been selected at several international film festivals.
“It has been a successful film, both at the box office and at international film festivals,” a modest Manwar told this correspondent here on Sunday. “We made a low-budget film, costing about Rs7.5 million, and we hope to recover the entire cost over the next few weeks.” ‘Gabhricha Paus,’ won the best international Marathi film award at the Pune International Film Festival earlier this year. It premiered at the International Film Festival at Rotterdam, was the official selection for the Warsaw International Film Festival, the Indian Film Festival, Los Angeles, the Vancouver International Film Festival and at the ongoing Durban International Film Festival. Manwar says he was disturbed by the frequent suicides by farmers in Vidarbha —over a thousand farmers have been killing themselves every year for the past over a decade— and wanted to take up the theme. He wrote the script about four years ago, but it took him a long time to get the funding. Prashant Pethe of Pacific Entertainment, Pune, produced the film.
Shot in just three weeks in the village of Jalu in Amravati district, the film opened to rave reviews in Mumbai and Pune this month.
The film has reported 80 per cent box office collections daily and is expected to break-even by the time it is released across the state. Manwar says the film is being released across India with sub-titles, and negotiations are on with multiplex chains as well. Most Marathi films do badly at the box office and filmmakers face an uphill struggle. ‘Gabhricha Paus’ uses humour to portray a dark subject. The film revolves around Kisna, a poor farmer (played by Girish Kulkarni), whose wife Alka (Sonali Kulkarni), worries that her husband might also be tempted to kill himself. She asks her six-year-old son to keep tabs on his father and report any unusual movements.
The success of the film has, however, has not affected Manwar, who still has several other scripts with him that he hopes to work on. Funding for future projects should hopefully be smooth now, considering the success of ‘Gabhricha Paus.