The best urdu movie in two decades...

On the second day of Eid I went to see the new Shehzad Gul Production and Shan Starrer “Tere Pyar Mein” and in a line my 35 Rupees cinema ticket (plus Rs. 15 entertainment tax) was like returned with a fifty dollar bill attached to it.

The movie stars Shan and Zara the new-comer in the lead roles. Shans capabilities and look are all known, and there’s no bollywood actor you can compare him to, but the main deal here was Zara,while being in just her first feature film, she’s shown all the talents you find in a top hollywood girl. She’s utterly beautiful, and possesses this ability to do every acting trick out there like dancing, drama, romance, etc. A very important thing I’d like to note here is that unlike Indian movies there is zero vulgarity in this movie, and I mean ZERO. The simple and innovative use of Shalwar Kameez for the girls is wonderful as soothingly eye-catching colors have been used.

Most of the time Pakistani movies are thought to be low-budget stuff, but this movie is definitely not in the same category. Shehzal Gul, the Producer of this film and the owner of Evernew Studios, has spent all he could afford and more to make this his best. From the most beautiful outdoor locations to wonderful real-life indoor sets, he’s spent it everywhere. The attraction here is the Rs. 1,200,000 model of Taj Mahal especially built for a song and put in Bagh-e-Jinnah, Lahore. That particular songs has a pop beat, but has been fusioned with the almost real-life Taj Mahal and Mughal Era dresses… and professionally choreograhed by a young dude from Karachi. The music is really enchanting and the song picturisation quite brilliant. As for the Taj Mahal, the Government has officially asked the Producers not to dismantle it and give it to the Park as it is already a major attraction. As for the flaws in the movie, the only one I could find was that the sound effects were the same pre-dated ones used during the Sultan Rahi era, but this is overlooked as the movie never allows one to notice such deep details.

The story of the movie begins with the memories of a Sikh who left his ancestral Hvaili in Lahore at the time of Partition, and still to date dreams of returning to his homeland. When one day his application for the Sikh Yatra to Pakistan is approved and he and his daughter (Zara) come to Pakistan. After performing their religious duties elsewhere they come to Lahore to look for the remains of their Hvaili. As fate has it, the Hvaili is still intact and an Architect lives their with his family. Knowing his relationship with the premises, the Architect persuades Zara’s father to stay for sometime at his house. During this stay Zara and Shan (the architects son) fall in love, but Zara has to leave for India before soon and their love splits into two enemy states. Then after a very tragic song, Shan finally manages to get an Indian visa and heads for India where Zara’s love and RAW’s bloody hands await him… the rest you’d have to see for yourself.

Finally, I’d like to make an important comment here, that this movie is far greater than the bollywood s**t stuff I was forced to see during the past many years. And that although still less funded and even lesser supported by the Government, the Pakistani film industry puts up astonishing stuff, which anyone can watch together with his family…!

[BTW: Will I make a good movie reviewer, please comment on this matter…?]


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[This message has been edited by pakistan99 (edited January 05, 2001).]

I think you are an awesome crtic.
you def. made me wanna watch the movie.

http://www3.pak.org/gupshup/smilies/wink.gif

very hi nice analysiz of the movie bro

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i was reading an article on this movie just the other day and i read the same praises u have mentioned here!

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i agree totally if provided with better facilities and sources..our industry can produce excellent moviez..i have heard a lot abt this movie but unfortunately haven’t had the chance to c it..i’m in canada and i doubt i’ll c it soon..

anywayz thanx 4 sharing this and a job well done bro

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Whatever limits us we call fate!
Whatever we can’t change we call destiny!

A challenging subject

By Zafar Samdan

While Tere Pyar Main has the ingredients for a film on conflict, particularly one that is currently raging, it is not merely a war movie; it is also a love story.

Unlike his usual style of nervously walking up and down his office in the Evernew Studio when he is in the middle of a production, Shehzad Gul is at ease; he sits comfortably in his chair and discusses his latest project with precision and a lot of confidence. The reception for his last production, Ghar Kab Aao Gay has apparently acted as a tonic, not that he needed any: his track record started with Doorian which was simultaneously classy, professionally commendable and good business at the box office.

This was during the final stages of Tere Pyar Mein, released on Eid ul Fitr to compete with a number of prestigious productions. The first reports of its reception must have further bolstered Shehzad Gul's confidence. Why was there a gap of over ten years between Doorian and Ghar while Tere Pyar Mein is his second feature in the year 2000.

"Times have changed. The film industry was previously producing about 40 films in a year; the number is down to 27 now. More films are needed to keep the industry going. The studio has to provide the lead as also produce more to survive. This would be the third film from Evernew Studio this year. It is a question of survival for all of us," the usually mild mannered Gul says matter of factly.

The approach for Tere Pyar Mein has been more innovative and courageous than merely matter of fact. The subject is highly challenging: the Kashmir issue; except for Shan, the entire main cast comprises new faces; it is the same with other credits. Script, screenplay, choreography, make up, wardrobe and a lot more represents new talent. There are Badr Munir and Noor but they make special appearances. Asked if he wasn't taking the idea of inducting new people in the industry too far and taking too many risks at one time, he said that perhaps the industry had come to its present pass because it was unwilling to break new ground. He was certainly happy with the way every debutant member of the team had responded.

A film on Kashmir predictably involved considerable outdoor shooting; thus locales play a major role in the latest SG production.

"They had to be carefully selected," he says, adding, "and their authenticity had to speak for itself. Not only of the locale, of props and other inputs as well."

Inevitably for a film on such a theme, a resourceful modern arsenal is a starting pre-requisite.

"We have used original guns. A lot, along with a variety of arms, were needed. The film is authentic on that score as also for uniforms."

SG was confident that officers and soldiers - from either side of the fence - would look original to every stitch of their uniforms and every bullet of their guns.

"Props or wardrobe can't be faked in such a movie; when they are the impact becomes doubtful. Filmgoers are knowledgeable and in any case, cheating them is bad cinema and it doesn't pay either."

Like guns and uniforms, crowd scenes are also genuine. Producer SG and director Hasan Askari took pains to picturise Sikh pilgrims at their shrines to ensure realism. It was needed too: the main female lead is a Sikh girl, played by fresh, slim and attractive Zara. Another important role has been assigned to Veena, another newcomer; they are confident girls and mean business. They have a problem though: in the lead is Shan who has worked hard of late to chisel his talents. SG rates him very high; he feels Shan has enough professional strength to carry a film all by himself as an actor. That makes things difficult for new artists but they are rated as equal to the task.

Another girl to make her debut is Ainee; she plays a less important role. As for Zara, she became a sought-after actress even before the release of Tere Pyar Mein.

The villains are new faces too. The main villain is Nawaz Khan, a good-looking young man cast as a Major of the Indian Army; Reza is his colleague of the same rank. They should make their mark in the industry with Pyar, even if their characters don't make filmgoers love them. SG has even found a new comedian but he should prove himself a veteran, being the son of humorist Rangila. Kamran Rangila gets his break in this picture.

A heavily-bearded, portly figure exchanged greetings with me on the sets of Tere Pyar Mein. The face looked familiar but I couldn't place him. He turned out to be Raja Riyaz, production controller for Ghar. He was clean shaven when I met him last. It turned out that he had been cast as actor in Pyar, besides managing the PC's job. The character required a beard and Raja Riyaz decided to cultivate one instead of relying on make up. That should make him convincing. He has also made another contribution to the movie; he is the scriptwriter.

For screenplay, a former actor was commissioned. Sherry Malik made his debut in films some years back and looked highly promising. But his talents were not appreciated by the film industry; the loss was of Pakistani cinema. After that he vanished from the screen but apparently he did not give up the idea of a career in films. Malik makes a comeback with Pyar and one has no reason to doubt SG's opinion of Malik. SG says he has come up with an excellent screenplay. For dialogue, he relied on an experienced team comprising Rashid Sajid and Mazhar Anjum. For music too, leading composer Amjad Bobby was engaged.

Shehzad Gul is apparently not sold to the idea, like many people, that everything in the present cinema of Pakistan is worthless; he has no hesitation conceding that the industry has no dearth of talent but feels strongly that its resources need to be augmented. Both make-up and wardrobe have been assigned to Khawar Riaz, who already has an association with Pakistani films but not in these fields, while young choreographer Hasan Shehryar gets a chance to demonstrate his skills which, going by a fabulous dance number by Noor, appear to be considerable.

While Pyar has all the ingredients for a film on a conflict, particularly one that is currently raging, it is not merely a war movie; it is very much a pyar movie. "It is a love story," said SG in pre-release conversation with this scribe. It shouldn't be difficult to guess that Shan and Zara are the couple in love. Is it a tragedy or what the filmwalas call happy ending? SG had refused to disclose the end.

"We should leave something for filmgoers to find out," he said, not with the grimness that accompanied him during the production of Ghar Kab Aaogaye but with a smile of satisfaction.

Now that Pyar has reached the screen, the secret is out. But even now, the fair thing would be to let filmgoers find it out for themselves.


Whatever limits us we call fate!
Whatever we can't change we call destiny!

Thanks both of you… I love it when I’m being appreciated.

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Don’t you dare post dirty stuff in this forum…
Mail it to me at [email protected] .

very true

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i have a question about the actress Zara, since this is her first movie, was she a model before? i’ve never heard of her before


“Amor Fati”

Yes you r right, she's quite 'unknown'...
Actually she was signed up by Mobilink GSM (Mobile Company) for their new ad compaign while the movie was still in it's initial stages... so she had her adverts, posters and billboards all around the country... even before the premiere!


Don't you dare post dirty stuff in this forum...
Mail it to me at [email protected] .

[This message has been edited by pakistan99 (edited January 05, 2001).]

A few years ago, i would never have watched a full pakistani film, as they were quite vulgar with all the stupid dance scenes and not much of a story.

However I now feel, actually after I watched Choorian, that they had definitley come a long way.

I will look out for this film, and as for Shaan, well I truly think he is the best looking guy in both the Bollywood and Lollywood industry, Hrithik, Salman and others are nowt compared to him.

BTW, Good Review pakistan99

awwwwwww choriyan..makes me feel all mushy inside…

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i love pakistan and their movies and the dirt and the water and the …u get my point …but yeh mariah that was a good movie…i still think we need a lil more technology and allot less shouting in our movies…but saima is beautiful.

I recommend you also watch “Tere Pyar Mein” when you get to… it’s kinda a step forward to Chuurian.


Don’t you dare post dirty stuff in this forum…
Mail it to me at [email protected] .

hmm! Seems like a good movie! Excellect Critique job Paki99! I am sure going to check this movie out as soon!

A good Pakistani movie would be nice for a change after all the bad Indian movies have watched lately!

Even though I hate Shaan, I'll still watch the movie.


Who says nothing is impossible? I've been doing nothing all my life!

speaking of shaan, has anyone watched Sangam?? its a few years old but really good.
Ive never heard any movie songs that were so beautiful…

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btw…eventhoug i dont watch shaan that much, i do think he’s very good looking…too bad he’s married

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“Amor Fati”

Ditto!!!
Hopefully i’ll be able to find it in my town.


The first time Adam had a chance, he laid the blame on women-
Nancy Astor

Seen it too…
Good music and nice sets.
But I don’t like Resham, she sucks!

BTW, he’s wife seems quite the match for him.


Don’t you dare post dirty stuff in this forum…
Mail it to me at [email protected] .

han? explain please

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i saw of picture of her and an interview with shaan, he seems to be really in love

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i agree, resham isnt that good. but before the movies, she used to be in punjabi dramas, i think she was pretty good in those.
btw..what about the other girl in Sangam, Sana?


Al-Imran-3:160 *~~“If Allah helps you, none can overcome you: If He forsakes you, who is there, after that, that can help you? in Allah, then, Let believers put their trust.”~~ ***

[This message has been edited by hk (edited January 06, 2001).]

shan da man
met him in 97..my last visit to pakistan!
i have many picturez that i took with him..will post these soon..inshallah!

samgan was one hellova movie..
have u seen his movie.."gunz & rozez..ik junoon:..itz a nice movie 2!

he can be a gr8 actor..itz just that hez a bit careless..which is not good 4 his career!


Whatever limits us we call fate!
Whatever we can't change we call destiny!

will definitly check it out after reading all this…thanx

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Do as Roman when on gupshup :stuck_out_tongue:

Sana… she’s actually a real hit these days, like 17 movies at the sametime… and all the directors and audience are really praising her acting talents.


Don’t you dare post dirty stuff in this forum…
Mail it to me at [email protected] .

Good job Pakistan99.

Following your constant rubbishing of Indian films, this is a fine follow-up, i.e. promoting Pakistani films which have mostly been crap in the past.

Indian propaganda movies like Mission Kashmir certainly need films from our side of the border to give a counter opinion. Judgement on the movie will be reserved for when i see it, and judgement on your talents as a film critic will also be reserved until then.

The story line sounds very promising, but if I was the Director, I would cast all the Indians with a rat-like appearance to give a sense of reality. It would also probably be a good idea to show Indian planes getting shot down regularly to reflect the capabilities of Indian pilots.