Sarfarosh - Excellent film.- Don't miss it.

Dont miss Sarfarosh - Excellent film.

The much-awaited Hindi film Sarfarosh, starring Aamir Khan, Sonali Bendre and Naseeruddin Shah. Sarfarosh is a work of fiction based on facts,'' says the film's director John Mathan. For the first time a Hindi film dares to take an honest and courageous look at some of the real reasons behind terrorism and insurgency in India. The film shows how guns and drugs are smuggled in at Rajasthan and how they reach the interiors of India spreading terror and destruction,‘’ he says.

The story of the film is told through the eyes of Ajay (Aamir Khan) whose life is never the same after an encounter with terrorists that leaves in its wake a dead brother and a paraplegic father. Sarfarosh unfolds in the dense forests bordering Maharashtra and Andhra Pradesh and then moves to the awesomely majestic deserts of Rajasthan, to the streets of Delhi and realistically captures the underworld mafia in Mumbai.

Mathan admits that the canvas of the film is huge. ``But the narration of the film is very fast paced and dramatic. The film also has its romantic moments. Sonali Bendre has done a very good job.’

The film is to be released in United States very soon. I would give 5 stars for this film

and i guess we are the terrorists? or supporting the terrorists with a stereotypical gora named robert who represents some western power's interests?

'Nuff said

In my opinion, best film on terrorism was "DrohKaal" by Govind Nihlani. This was about naxalite menance. Naseer, Om Puri and Ashish Vidyarthi did very well.

durango .... ur writing reminds me of the film reviews i used to read in pak :)

yeah sarfrosh has got a good cast and some really well composed tunes .... the story appears to be interesting too ....will try to catch it!

MR

ZZ(which film man ? is it like older naseer flicks?)

What is the meaning of Sarfarosh?
When will it be released in US?

"Drohakaal" is a movie around 2 yrs old. Yes MR, in a sense it is like old Naseeruddin Shah's 'art' films. Directed by Govind Nihlani ("Aakrosh", "ArdhaSatya" etc. fame).

Songless. But definitely worth watching.

I am really looking forward to watching it.
any idea when it will be released in
the Uk.

In Sarfarosh Aamir Khan plays ACP Rathod, an IPS officer given the task of busting a racket that involves smuggling arms to various extremist outfits in the country and which arms trickle down into the city. Sonali Bendre plays the romantic lead and Naseeruddin Shah, a ghazal singer Ghulfam Hassan.

Sarfarosh has a very broad canvas, with the film shifting focus from Bombay to Delhi to Chandrapur (a village on the border of Maharashtra and Andhra Pradesh), to the Rajasthan border. But writer, director, producer John Mathew Mathan manages to avoid confusing the viewer. The action flows seamlessly across the various locations.

The script has this no-nonsense look to it, clearly and succinctly establishing the protagonist's past in which his brother is killed and father left a paraplegic by terrorists. Thus defining why he could be a crusader. His romance with Sonali is dealt with credibly in a matter of a few minutes, thus keeping the story compact and not losing sight of the bigger picture.

Mukesh Rishi plays Inspector Salim, and for the first time, looks like he has a part that gives him the opportunity to act. He makes the most of it. Salim is used to show the factions within the police force itself.

Aamir fits the bill as a police officer trying to keep together his team without letting them get complacent. He is especially good in a scene when he questions his department after one witness is killed while being brought in for questioning. A traffic cop on the scene says was "cutting a challan" and the constable on duty admits he'd gone to have a paan.

He usually plays it safe when it comes to action. After suffering some humiliation as an all-out action hero, he had discovered his niche as the underdog in Rangeela and Ghulam. His image is kept intact in the action sequences here -- he's never the aggressor, never shown at an advantage when battling three people.

Naseeruddin Shah has an unusual role of a ghazal singer and, consummate actor that he is, he does a very good job of it. Sonali has to look good and that she does what's expected of her. Her acting prowess, though, isn't called for.

The music by Jatin Lalit is a big plus, and is ably supported by some good choreography by Farah Khan, Ahmed Khan and Raju Khan. The camerawork by Vikas Sivaraman is good in parts but lacks technical finesse. Some shots make the sets look fake, and a few shots look staged. The editing could do with some spiffing up though the pace hasn't been affected.

John Mathew, who makes his debut as a director, producer and writer, deserves a pat on the back for tackling such a vast subject without letting it get out of control or lose focus.

Sarfarosh manages to marry serious cinema with the commercial variety. It may have some moments where you wish the approach would be different, but, all in all, it is an entertaining thriller.

Sarfarosh Roars Across America

Arthur J Pais

After a lean season in which the likes of Silsila Hai Pyar Ka did poor business, the $ 180,000 gross for Sarfarosh last week was a relief to distributors Eros Entertainment. To the moviegoers too the film was a refreshing treat.

"It is fast moving, has great acting and the music is beautiful," said Simran Bajwa, a graduate student in New York, who was going to see it again this week. "And it involves you emotionally."

The movie, playing in 24 theaters averaged a strong $ 7,700 per house, and was listed 33rd amongVariety's top 100 films of the week. Sarfarosh has connected with all segments of moviegoers, said a spokesperson for Eros. If the current phase continues, the film could gross over $ 500,000, making it as strong a hit as Dil Se, a domestic dud but a huge hit in England, where it grossed over $ 1 million, and a crowd-pleaser in America with over $ 500,000 at the box-office. In many New York and San Jose area theaters, bouncers were hired for several days to keep the teens under control.

Several of the eagerly awaited Hindi films have bombed in recent weeks, and the success of Sarfarosh has ended the famine.

Lal Badshah, which appealed mostly to older audiences, collected a disappointing $ 102,708 in the first week in 24 movie houses averaging a measly $ 4,279, and fizzled out within two weeks. Amitabh Bachchan movies are drawing increasingly older audiences who do not go for see a film more than once.

Sarfarosh is a good date movie, said many teens at a New Jersey theater last week. Some said they had not expected much from the film and the emotional content of the film was a definitive surprise for them.

"There are times you get very disappointed with a film because there has been so much of hype about it," said Bajwa. And that seemed to be the problem with Silsila Hai Pyar Ka, which grossed $ 89,280 in one week in 19 movie houses, with an average gross of $ 4,698.

"Despite video piracy, people love to see a film on a big screen," said Joe Perusad. "We want to see Indian films with our friends, away from the home, so that we can react to them spontaneously. But many times the films are so bad, we feel we have wasted our money."

There are more than 60 movie houses that show Hindi films across America -- most of them are concentrated in New York and Los Angeles areas; some have at least one show during the week and three on the weekend, some show Indian films only at the weekends.

Distributors say that though films such as Dil Se and Sarfarosh have done excellent business in recent months, the box-office could be five to six times more. "There are about 1.2 million people of Indian origin in America," says Manu Savani, a West-coast based distributor. "And there are over 2 million people from Pakistan and Bangladesh -- and over 1 million people of Indian origin from the Caribbean and West Indies. With over 4 million potential viewers, a major hit should make more than $ 2 million."

Aamir Khan, Actor
on the similarities between Sarfarosh and Kargil

Are you surprised that we are now actually seeing a full-blown version of the proxy war described in Sarfarosh?

Sarfarosh talks about the kind of terrorism that the ISI has been spreading in our country for years. Of course, when the film was released, there were certain people who mentioned that now since India and Pakistan were trying to be friends, Sarfarosh was not very well timed. But the Kargil situation disproved this

But did you at any point during the making of the film feel sceptical about Sarfarosh's point of view?

Not at all. And that is one of the reasons for my doing the film. When I heard the script I realised the social implications of what the film is trying to say.

But from the perspective of a superstar with a fan following beyond our borders, do you feel such a film could offend Pakistanis who are your fans?

To begin with, I do not think the film is saying anything wrong. It is not being undignified in any way, it is not indulging in name-calling. What the film says is that what a particular group is doing is wrong - because it is indulging in terrorism.So only a person who is part of such an organisation might object to it. I have some relatives living in Pakistan. All of them have seen the film and told me that they loved it. A lot of Pakistanis whom I met in London, said that it is a sensible film that tries to promote a positive feeling.