I would be very grateful if shias on this forum can answer these questions
http://www.mirhyderali.com/yazehra/images/history1.htm
following in bold are quotes from the above posted link I think it is from a shia friendly website
My questions are(first please go through the quotes)
1)Why was the cultural influences of India used to portray the events of karbala
to “make it more understandable to the people” many would argue, Fine but was it neccesary to distort history by adding such wedding events.Hussain(A.S) and his Companions faced their martyrdom bravely because of their unfliching belief in their cause adding events like these convert Karbala into any common tragedy and trivilizes its Importance in the history of Islam.
2)Why was Hussain(A.S) potrayed as a Indian nawab?was it to justify their own lifestyle(the nawabs)?
3)a nawab losing his son to smallpox is similar to the supreme sacrifice at Karbala How???
4)The Spirit of Karbala can definatly be used as an inspiration to fight against tyranny but are all causes similar to that of Karbala?are all tyrants similar to Yazid?
How is struggle against colonialism similar to the Imam’s fight against the Hypocrites?
5) should these accounts of the events at Karbala be used today?
thankyou
[The marsiay and nohay of Mir Taqi Mir (1722-1810) and Muhammad Rafi Sauda (1713-1780) are similar to those of Ghalib and Dabir in that they perform their panegyrical function for the martyrs of Karbala; but these poets also wrote marsiay and nohay in which the narration of the Karbala tragedy was saturated with cultural and ceremonial imagery of North India. The North Indian Muslim cultural terminology used by Mir and Sauda includes sehra–the veil of flowers that the groom and the bride wear on their wedding day in India and naik–the demand of the groom’s sister for money before allowing her brother to approach his bride
[]In addition to the wedding of Karbala, other parts of the Karbala tragedy were painted with Indian colors. Mir Anis’ (1802-1874) description of the women of the Prophet’s household embarking on the journey to Karbala and the protocol that was followed was quite similar to the protocol followed by the begamat (ladies) of Lucknow
]On the right side of the camp were the relatives of the Imam,
their glowing faces brightened the dark desert of Karbala.
Like beads in a rosary, they were all united.
They anxiously waited for their death.
They would desire neither food nor water,
***their aim was to offer their heads to Allah. ***
The young boys pleaded to be the first martyrs,
and the older ones left this decision up to the Imam.
In the middle of this assembly was the King of the world,
like the sun amidst the stars
**[The foregoing verses create images similar to those associated with the Mughal durbars, or the Nawabs of Avadh sitting in the Diwan-e-Khas (hall of the private audience) while being praised by their loyal friends and advisers. **
[]Marsiya writers would narrate the family’s agony by comparing it to various events of Karbala. When the Navab of Patna, Sayid Ahmad Hussain Khan, lost his sixteen-year old son to smallpox, Mir Anis was asked to write a marsiya in honor of the youth. The marsiya written by Anis opened with a prayer in which the poet asked Allah to spare parents the grief of their children
In the twentieth century, the number of Muslim socio-religious reformers who capitalized on the Indianized version of Karbala to channel their concerns for the society increased. Many twentieth century Urdu marsiay and nohay were given a solid intellectual dimension by the incorporation of issues–the Khilafat movement, India’s independence, and the plight of the Indian Muslims, and so on–into the frame story of Karbala. Among the modern marsiya writers who have appropriated the events surrounding Karbala as the underpinnings of their socio-religious reform ideology are Josh Malihabadi and Vahid Akhtar/
**On the back cover of his recently-published marsiya anthology, for example, is the famous Arabic saying: “Every place is Karbala; every day is Ashura.” By positing a similarity between Hussein’s historic battle and the present day struggle of human kind against renewed forms of Yazidian oppression, **