Pakistani Lok Dastan (Folk tale) -Sassi Punhoo

Sassi Punhoo is one of the most famous folklore of Pakistan. It is famous in Sindh, Balochistan and Punjab equally. Many Sufi poets including Sachal Sarmast, Mian Manzoor had written in their poetry. Shah Abdul Latif Bhitai dedicated 5 chapters (surs) of his Risalo to this Dastan. Sassi seems to be favourite character of Shah Latif due to her courage and struggle for his love.

**Story:
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'Sassi was the daughter of the King of Bhambour in Sindh, Pakistan. Upon Sassi’s birth, astrologers predicted that she was a curse for the royal family’s prestige. The King ordered that the child be put in a wooden box and thrown in the River Indus. A washerman of the Bhambour village found the wooden box and the child in the box. The washerman believed the child was a blessing from God and took her home. As he had no child of his own, he decided to adopt her.

When Sassi became a young girl, she was as beautiful as the fairies of heaven. Stories of her beauty reached Punnu and he became desperate to meet Sassi. The handsome young Prince of Makran therefore travelled to Bhambour. He sent his clothes to Sassi’s father (a washerman) so that he could catch a glimpse of Sassi. When he visited the washerman’s house, they fell in love at first sight. Sassi’s father was dispirited, hoping that Sassi would marry a washerman and no one else. Sassi’s father asked Punnu to prove that he was worthy of Sassi by passing the test as a washerman. Punnu agreed to prove his love. While washing, he tore all the clothes as, being a prince, he had never washed any clothes; he thus failed the agreement. But before he returned those clothes, he hid gold coins in the pockets of all the clothes, hoping this would keep the villagers quiet. The trick worked, and Sassi’s father agreed to the marriage.

Punnun’s father and brothers were against his marriage to Sassi (Punnun being a prince and she being a washerman’s daughter), and so, for their father’s sake, Punnun’s brothers traveled to Bhambhor. First they threatened Punnun but when he didn’t relent, they tried more devious methods.

Punnun was surprised to see his brothers supporting his marriage and on the first night, they pretended to enjoy and participate in the marriage celebrations and forced Punnun to drink different types of wines. When he was intoxicated they carried him on a camel’s back and returned to their hometown of Kicham.

The next morning, when Sassi realized that she was cheated, she became mad with the grief of separation from her lover and ran barefoot towards the town of Kech Makran. To reach it, she had to cross miles of desert. Alone, she continued her journey until her feet were blistered and her lips were parched from crying “Punnun, Punnun!”. The journey was full of dangerous hazards, which lead to her demise. Punnun’s name was on Sassi’s lips throughout the journey. She was thirsty, there she saw a shepherd coming out of a hut. He gave her some water to drink. Seeing her incredible beauty, dirty lustful thoughts came into his mind, and he tried to force himself on Sassi. Sassi ran away and prayed to God to hide her and when God listened to her prayers, land shook and split and Sassi found herself buried in the valley of mountains. When Punnun woke he was himself in Makran he could not stop himself from running back to Bhambhor. On the way he called out “Sassi, Sassi!” to which the shepherd replied. The shepherd told Punnun the whole story. Then Punnun also lamented the same prayer, the land shook and split again and he was also buried in the same mountain valley as Sassi. The legendary grave still exists in this valley. Shah Abdul Latif Bhittai sings this historic tale in his sufi poetry as an example of eternal love and union with Divine.**

Shah Jo Risalo on Saasi**

Shah Latif dedictaed different Surs of his Risalo for different periods in Sassi’s life. From her birth and throwing into River, Meeting Punnu and then their seperation. But the most popular poetry for Sassi relates to her leaving Bhanbor and her struggle for seraching Punnu.

** Beautiful poetry of Mian Manzoor

**

Re: Pakistani Lok Dastan (Folk tale) -Sassi Punhoo

Alan Faqeer singing Shah Latif’s Sur Sassi in his haunting voice to describe sufferings of Sassi from her childhood till end.

Re: Pakistani Lok Dastan (Folk tale) -Sassi Punhoo

Interesting :k:

Re: Pakistani Lok Dastan (Folk tale) -Sassi Punhoo

Awesome :wub:

Re: Pakistani Lok Dastan (Folk tale) -Sassi Punhoo

Saasi Punnu (The story of integration between Balochistan & Sindh). Here is an interesting article on historical facts of Bhanbhor & Makran

http://www.pakistantoday.com.pk/2011/06/hidden-in-sassi-and-pannu’s-tale-lies-bhambore-and-makran’s-affair/

When the late folk singer Jiji Zarina Baloch used to mesmerise her audience by singing “Peren pawandi sa”, she actually touched upon a clue to a great archaeological mystery, preserved ingeniously by the Sufi saint Shah Abdul Latif Bhittai in his tragic love story of Sassi and Punnu.

In the song, Sassi, daughter of the king of the ancient city of Bhambore in Sindh, pleads with her lover Punnu, the Hoth prince of Makran in balochistan, to stay the night in her city, and she is prepared to “get on her feet; take the camels by their reins and tend to them and take care of them and also climb a mountain top and call out for him” just to make sure he doesn’t leave.

At a conference in Karachi recently, Prof Dr Valeria Fiorani Piacentini of the Cattolica University pointed out that the tale of Sassi and Punnu is among one of the clues that link the ruins of Bhambore to the “Green Belt”, which stretches west-eastwards for some 200 miles from Mand, along the Nihing and Kech rivers to the depression of Kulwa.

In her research, she discloses that the Green Belt was settled and inhabited since at least 6 BC when it was the cradle of a local civilisation and culture. It was also the western bastion of the Indus Civilisation’s “empire”. There was a “void” and depopulation in 2 BC, but in 1 BC, Makran faced a new phase punctuated by major and minor settlements, which mirror the re-population of the region, and the revival of all activities linked to urban life such as agriculture, craft and trade.

The period between the 3 and 10 AD emerges as a “golden” period of order and prosperity. Minor and major centres prospered along the two rivers’ waters, agriculture was intensively practised, trading activities flourished in a cosmopolitan atmosphere and merchants and people of every race and colour, language and creed, from all parts of the world, converged and gravitated on this blooming “belt”. “Kij” – the Makran Division of our time – was mentioned as the main centre of the region in 15 AD.

But the question for archaeologists was, “which great harbour and which outlet hosted the riches traded along the Green Belt and/or there conveyed from West and East, North and South?”

“Attracted and inspired by local legends,” Professor Piacentini writes in her research paper, “We set off from Makran and moved eastwards in search of ‘the great harbour’, that mighty outlet of the great wealth circulating east-west and north-south. And thus we came to the Indus and its delta.” Bhambore is a field of ruins located on the northern bank of the Gharo river, likely a creek when the ancient shoreline of the ocean was located much to the east than today.

Various sources mention sources mention “Daybul” – Bhambore’s old name - as a powerful and magnificent city-emporium and harbour, well-sheltered by the seasonal typhoons, protected by a massive citadel encircled by towered walls and ramparts, rich and fertile, ornamented with gardens and temples: a resplendent city and one of the most prominent participants in the vast network of overseas trade, as it controlled the Indus delta and the access to the Indus system, and hence an immense and immensely rich volume of land and sea trade.
It was classical model of a harbour-town, and the life of a town and its traditional elements and activities, that is a citadel, seat of some ruler, and a vast territory gravitating on it in terms of administration, economy, agriculture, trade and arts. Prof Piacentini concludes that Bhambore must have been that vital trade link that led to the rise of Makran – a connection immortalised by Bhittai when he mentions how a distraught and barefooted Sassi tried to cross the desert to reach Turbat so she could reunite with her lover.

Also an evidence of Punnu’s existence is the ruins of Punnu Fort near Turbat, believed to be between 6,000 and 8,000 year old, a towering structure much of which has withered way with time.

Re: Pakistani Lok Dastan (Folk tale) -Sassi Punhoo

Nice :k:

Re: Pakistani Lok Dastan (Folk tale) -Sassi Punhoo

oky I heard this story from a native of Kech but didn't know this story was about Sassi and Pannu.

Re: Pakistani Lok Dastan (Folk tale) -Sassi Punhoo

So what was his version. is that different from Shah Latif’s version?

Coming towards performing arts promoting this folk tale, first thing I remember, tablo played in most of the schools of rural Sindh in annual day functions, where children wear traditional outfits (Ajrak, etc) and perform on ‘Pairen Pawandi Saan’.

Many directors made movies on Sassi Punnu on both sides of the border.

Back in 1991,PTV produced a series with the name of ‘Daastan’ whereby they dramatised folk tales from all provinces. From Karachi Center, Muhammad Bux Samejo directed Sassi Punnu based on events depicted in Shah jo Risalo. Fatima Suraya Bajiya very beautifully written screen play of the drama depicting rich culture of Bhambhore and Makran for that era. Qaisar Khan Nizamani played Punnu and a new actress Shazia Syed played the Sassi. Other cast included Mumtaz Kanwal & Shakeel (Sassi’s Brahaman parents), Jahan Ara Hai & Mehmood Siddiqui (Sassi’s parents in Bhambhore), Mehmood Akhtar (Punnu’s friend who advised him to put gold coins in clothes) & Gulab Chandiyo (King of Kech Makran and father of Punnu). I tried to found this classic drama, but not succeed except for Alaap used in titles and sung by Abida Parveen.

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Interesting!^

Na it wasn't different but many of them didn't aware about it.

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Archeological places related to story of Sassi Punhoo

Re: Pakistani Lok Dastan (Folk tale) -Sassi Punhoo

Wow thanks for sharing all this :k:

Very tragic tale it was too.

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Full of surprises :eek:

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What surprises you most?

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The real love story :)

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As I already mentioned that Shah Latif visited various places all over Sindh before writing these tales in his Risalo. There are archeological evidences or at least places related to characters mentioned in Risalo.

Re: Pakistani Lok Dastan (Folk tale) -Sassi Punhoo

^
And I believe that all are true.

Re: Pakistani Lok Dastan (Folk tale) -Sassi Punhoo

Humara Sindh! :) such fascinating stories!

Muqawwee, Its Baloch cultural day today!, i would love to read about Baloch culture, kindly make a thread on it!
Thank You!

Re: Pakistani Lok Dastan (Folk tale) -Sassi Punhoo

I never knew Saassi and Pannu's story was true but looking at these videos and some evidence its amazing.

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Tragic stories always caught the attention of ppl. In love stories man become husband then No real tragedy start but only for man :hehe: Faris Bhai aap ko tou bakhoubi pata ho ga :lifey:

Re: Pakistani Lok Dastan (Folk tale) -Sassi Punhoo

Will definitely open some more threads on Baloch Culture. Recently, we had a thread on Balochi Lok Dastan ‘Hani Shah Mureed’, Balcohi crafts and Mir Chakar Khan.

http://www.paklinks.com/gs/culture-literature-and-linguistics/539296-pakistani-lok-dastan-hani-shah-mureed.html

http://www.paklinks.com/gs/culture-literature-and-linguistics/542443-date-palm-handicrafts-of-balochistan.html

http://www.paklinks.com/gs/culture-literature-and-linguistics/541389-balochi-clothing-and-embroideries.html

http://www.paklinks.com/gs/indo-pak-history/536564-armour-of-baloch-hero-chakar-e-azam.html

Will open some more threads on Balochi culture soon.