Pakistan - A Pirate Nation

When Ameed Riaz - an enterprising young man from Karachi - bought EMI Pakistan from its parent company in England back in 1993, he probably had visions of becoming the country’s music guru.

Not without reason. With exclusive rights to over 150,000 songs and other compilations, EMI Pakistan is the largest music archive in Pakistan.

But within two years, Mr Riaz was forced to shut down and seek an alternative living.

“Everything is pirated here,” he says. “From software to audio to video, nothing escapes the pirates’ cutlass.”

Indeed, Pakistan has risen over the last 25 years to become a global hub of audio and video piracy.

International piracy watchdogs currently rank the country in the world’s top 10 pirate nations.

They say Pakistan will continue to climb the piracy charts unless drastic measures are adopted to put an end to illegal copying.

Trade sanctions risk

In a letter to Prime Minister Shaukat Aziz last year, the International Federation for Phonographic Industries (IFPI) said illegal replication facilities in Pakistan were doubling their copying capacity every 18 months.

The scale of such operations has already reached staggering proportions.

What never ceases to amaze foreign visitors to Pakistan is that the country’s big DVD and CD shops are full of perfectly packaged - but pirated - goods.

According to the IFPI, Pakistani replication facilities are producing in excess of 230 million copies a year.

Khalid Jan Mohammed
For as long as Pakistanis want to watch cheap movies, there will be piracy
Khalid Jan Mohammed

Given that the country’s local consumption is only about 25 million discs, the IFPI concludes that the rest are being exported across the world.

The organisation estimated in 2003 that Pakistani pirates were exporting more than 13 million CDs and DVDs to 46 countries every month. Since then the figure has gone up, it believes.

Global anti-piracy bodies are hoping that the coming into effect of an international agreement called TRIPS (Trade Related Aspects of Intellectual Property Rights) on 1 January this year may force a change in the situation.

Pakistan is a signatory to TRIPS and risks trade sanctions from Western nations if it fails to honour its obligations under the treaty.

Government officials point to tighter customs control at airports which they say have led to a decline in air shipments.

But custom officials argue the change may prove to be merely cosmetic - the bulk of the illicit trade is conducted via land or sea routes.

Pessimism

Pakistani investigators name Dubai, Nepal and India as the three major transit countries for illicit DVDs originating from Pakistan.

Their pessimism is shared by Khalid Jan Mohammed, one of the leading players in Pakistan’s CD and DVD business.

PAKISTAN PIRACY
Pirate DVD fetches $1 in Pakistan, $10 abroad
Over 13m pirate copies exported a month
About 230m replica discs made every year
Domestic piracy market worth $27m a year
Annual cost to copyright holders - at least $2.7bn
IFPI estimated figures

Sitting in his sparsely furnished office on one of Karachi’s busiest roads, Mr Mohammed denies that his company - Sadaf CD - is involved in piracy.

But few would be convinced.

“Look, my friend, necessity is the mother of invention,” he says. “For as long as Pakistanis want to watch cheap movies, there will be piracy.”

The international community can go hang, he says.

Mr Mohammed has been in the business for 22 years and his speech - laced with expletives of all kinds - bears testimony to his street-smart credentials.

His powerful connections in the Pakistani administration are almost legendary, which perhaps explains why moving against him and other big players in the business is so hard.

“Alcohol was banned over 25 years ago, but you name a brand that is not available in Pakistan,” he argues.

Just like the alcohol market had influential customers who kept it going, he says, so does the piracy bazaar.

Huge profits

“Western diplomats buy these pirated DVDs. Many of them have become my personal friends in the process,” he says.

Ameed Riaz
Ameed Riaz: “Nothing escapes the pirates’ cutlass”
Mr Mohammed argues that if the West really wants to stop piracy in Pakistan, it needs to convince international distributors to lower their royalty charges.

“Pakistanis have become so addicted to cheap entertainment that they will not pay beyond what they already are,” he says.

What they are paying now can perhaps never lure Western distributors into treating Pakistan as a viable market.

Throughout Pakistan, the latest movie is available on DVD for just over $1. The price drops to below $1 if the purchase order exceeds 10.

While these prices may not be good enough to attract the Western distributor, there is plenty in it for the pirates.

The Pakistani domestic market alone generates some $27m every year - and those are just one-tenth of the total bootleg CDs and DVDs made in Pakistan.

The rest go overseas, where DVDs fetch on average about $10 each, still less than the licensed price. But even at this low price pirate copy exports from Pakistan are costing copyright holders about $2.7bn a year.

According to Khalid Jan Mohammed, it is the only business in the country where profit margins can be four to five times the cost.

“You try and stop this,” says Mr Mohammed.

BBC NEWS | South Asia | Pakistan - copyright piracy hub

i know we are addicted to cheap DVD and software, but how long that can be run endlessly, like other laws, copy rights law can be avoided and given the current law enforcement where a rape victim has to go to isb to get proper attention, this is much low on crime list. many of us will not treet as a crime anyway.

Re: Pakistan - A Pirate Nation

bloody desis! always looking to get something for nothing.

Re: Pakistan - A Pirate Nation

its not getting only, they are into exports now big time shamelessly!

Re: Pakistan - A Pirate Nation

I am not suporter of Piracey but Just a thought what do you call a company who get something made in China or far East for $5 and selling it worlwide for $150 just because they have have brand name registered ................They are the big Pirates.

When I see that I do support the other view.

Re: Pakistan - A Pirate Nation

bookworm, not really. They are taking advantage of their brand name. Such price hikes do not last for ever and the only way to fight such hikes is to have more competition in the market.

Anyway, Pakistan needs to handle this problem very seriously. For example, Pakistani students can make great video games but everytime I bring up this topic among desi friends, everyone shoots it down saying; someone will buy one copy and by next day everyone will have a copy - bad for business.

Re: Pakistan - A Pirate Nation

In Pakistan it's at the point of there are no legitemate sales. In UK for example the majority of pirates tend to be students. Cant afford to buy the original software in the first place. Use a pirate game but if want to play online need an orignal and do so if into the game. In Pakistan it's hard or near impossible to find a genuine copy of anything.

Re: Pakistan - A Pirate Nation

Which as pointed out ealier means why bother putting effort and time into writing a pieve of software when you wont get any gain from it. Better off earning money some other way.

Re: Pakistan - A Pirate Nation

Dude, I am not paying $150/ 100 pounds/ or 10000 rupees for a original Microsoft XP when I can by the same thing when I can buy a pirated copy for 100 rupees/ $2.

Mufta/rock bottom prices is more enjoyable and excieting, even if I can afford the original prices. :D

Re: Pakistan - A Pirate Nation

why wouldn't the dickheads understand buying pirated software is stealing?

Re: Pakistan - A Pirate Nation

maybe cuz they have a knob for a head?

Re: Pakistan - A Pirate Nation

I think major issue is not using as students, perhaps in most big unis of pakistan, microsoft and other companies provide it with free licenses for educational institutes, even pirate student doesnt harm in any country.
but it really sucks when a multimillion company uses pirate software for its IT.
now hardly Govt was forced to get license for its IT infrastructure.

Software is more targetted to companies not to ordinary users, they dont use webLogic server, or IIS, SQL server, oracle, etc for heavey weight apps. so atleast they should e forced to get licenses.

but DVD and games are different these are not company focused product but for masses. thats where piracy comes in place and big companies shy away from entering Pakistani market.

bookworm mentioned about 1$ CD to sell for 30. its not only cost of the cd production. but its expensive because a great deal of intelectual input gone to make the product, writers, dircters, designers all have input to it.

other thing for these companies to stop piracy, offer dvd;s games at cheaper prices according to a country people purchase power, they are already loosing it, they have nothing to loose if they offer original CD at same or bit more in Pakistan. people will prefer to buy original if its not 100 times expensive but, just may be 2 or 3 times more.

Govt also have to tighten the laws.

Re: Pakistan - A Pirate Nation

http://www.corante.com/copyfight/archives/2005/05/11/subcontinent_copyright_wars.php

Subcontinent Copyright Wars
Posted by Ernest Miller
Fascinating article on the BBC regarding the copyright wars between India and Pakistan (How piracy is entrenched in Pakistan). Turns out that Pakistan is cracking down on copyright infringement of Western movies, but not on movies from India:

“I am sure that at some level, allowing piracy of Indian films was considered a smart act of industrial sabotage by the Pakistani policy makers,” says Ameed Riaz, the head of EMI Pakistan.

**
“Basically, anything that hurt India was considered kosher.”

It is no coincidence that the first - little noticed - copyright law adopted in Pakistan in 1962 expressly stated that it did not cover Indian intellectual property.
**

However, the effect, it seems, was to entrench Bollywood even further in Pakistani culture:
Not just that: Pakistan’s fashion and modelling industry has come to be deeply dependent on the Indian film culture.

Event management companies in Karachi that organise weddings for the affluent say that many brides want the wedding stage to resemble a set from a particular movie.

The wedding set from Indian diva Aishwarya Rai’s film, Hum Dil De Chuke Sanam, was replicated at so many weddings in Karachi that it became a joke.

Street jargon employed by Bollywood crime characters has become every Pakistani parent’s nightmare. Even the mullah in the mosque - if he wants to be popular with his audience - will base his religious anthems on popular Indian film music tunes.

Very interesting.

via Hit and Run

Category: Culture

COMMENTS
Aamir Ali on May 11, 2005 12:43 PM writes…
Bollywood and Indian media is a source of entertainment for Pakistanis. However this reporters has made up some stuff like clerics using bollywood tunes for sermons! hhahahahahh that is rubbish.

Permalink to Comment

Mary Freeman on May 11, 2005 03:50 PM writes…
Replying first to Aamir Ali first, I think what is said is that the sermons will be BASED upon film tunes, not using them FOR sermons: that indeed would be rubbish! But the content of film tunes is a great source for sermons, from ideas, to themes, to phrases which may indeed underscore or repeat religious truths the mullah wants to convey to his audience, not literally but by metaphor and allusion.

The second thing I wanted to say was that here we are observing the creative use of piracy, whether it was intended to be so or merely arrived as a by-product of that piracy. Media drama invades even the sanctity of the marriage ritual (at least for the affluent): what can be more inevitable? If this is to happen more and more (more Pakistani brides want Indian pop culture for wedding backdrops and more mullahs find their metaphors in the same place) than what must happen as piracy increases? Movies (pirated or native) must raise their standards to compete with each other. Will sordid exhibitionism win out in the end? I doubt it. The Pakistani government will delelop the Baliwood equivalent of the “rated” pirated product (X, PG, etc.) to calm the nerves of irate parents.

Re: Pakistan - A Pirate Nation

Access Bollywood, 40 Years Late

Pakistan’s President, Pervez Musharraf, has given a tentative thumbs up to the showing of a classic 1960 Indian film, Mughal-e-Azam. On the surface, this is a big deal; Indian films, massively popular elsewhere in Asia, have been banned in Pakistan since 1965. But the popular reaction to the latest development in the India-Pakistan detente has been decidedly blase. That’s because much of Pakistan has already seen Mughal-e-Azam and pretty much everything else Bollywood has pumped out since the ban went into effect. Thanks to home video, satellite television and a thriving trade in pirated DVDs, Pakistanis have been watching Bombay’s frenetic three-hour long musicals for decades, in every conceivable venue other than theaters. In fact, Pakistan’s failure to crack down on rampant piracy has long been seen as a kind of “industrial sabotage” meant to harm India’s film industry. Now that Musharraf is trying to make nice with his neighbors, he may actually have to start restricting the country’s intake of pirated Bollywood productions; that would evoke a reaction that the long-delayed screening of an ancient film never will.

Re: Pakistan - A Pirate Nation

awesome! :k: i hope the piracy grows 10X more bigger :slight_smile:

Re: Pakistan - A Pirate Nation

it's a bit unfair to say that Pakis are the biggest Pirates. No doubt that they have a huge market for pirated stuff but all these pirated DVD's, music etc are released from Far East.

Re: Pakistan - A Pirate Nation

The bluddy movie, Revenge of the Sith just released in Pakistan on DVD and expected to be sold over 100,000 copies in two weeks. This time it got late and was released 5 days after it was screened, due to the raids on DVD copying factories/shops. Usually a holywood movie gets released on DVD within 48 hours of official screening in theaters. Bollwood movies are released 3 days prior to their actual release in India :hehe: Now thats a progress! lol…

Re: Pakistan - A Pirate Nation

*"Chori is chori." *Without question Pakistan's a "Pirate Nation," which alone is sad enough. I personally think that to relieve a heavy percentage of that piracy, the ban on Bollywood films should be lifted.

Re: Pakistan - A Pirate Nation

DEAR ALL,
Piracy is not just restricted or flourishing in Pakistan or the third world but is an issue everywhere INCLUDING USA/UK/ and EVERY country or big city that you could think of. MOST OF THESE PIRATED AUDIO/VIDEO/SOFTWARE contents do not originiate in pakistan at all but is done right there and then. PIRATE INDUSTRY IN PAKISTAN IS NOT THE MAJOR EXPORT OF PAKISTANS ECONOMY !
look at the world ...look what happened with Napster ? Huge debate nowadays here is the music industry globally. an Audio Cd is made available for consumers in IRELAND for 15-20 euros whereas the actual costs would probably be less then a euro .the Intellectual rights and all the hoopla about production and managment and advertisement costs is what drives the prices up claim the record companies while the same is made available to far east and some other copyrighted nations for A LOT LESS...some punter tried buying in bulk these cheap Cd's from Far east and importing and supplying online cheaply to european markets ...ALL LEGAL...but was taken down by the Courts on the MUSIC INDUSTRY's Demands. WHY ???? at a time when recording artists and record companies are making Trillions and STILL SELLING LOADS OF THEIR OVERPRICED CD's and are basically trying to bring down the law on ANY private citizen who deems share their music...DOSENT MAKE SENSE...the REAL PIRATES AND STEALERS ARE THESE RECORD INDUTSRY EXECUTIVES.. who CONTINUE to make HUGE BUCKS despite their wailings of impending doom because of file sharing networks and PIRATE MUSIC/VIDEO industry. the CINEMA ROLL PRINTS are Done In The Theatres of NEW YORK, PARIS, LONDON,MILAN,DUBLIN etc etc and then these are made LOCALLY first and then sold globally ....Check out google for a Recent BUST of a Pirate DVD factory in IRELAND !!! is it suffice to think that this was built up because of our " PIRATE " nation ???I DONT THINK SO.unless there is a real resolve of these greedy music and VIdeo industry issues Piracy will go on And PKAITAN IS NOT EVEN ON THE TOP 10 List for this.

Re: Pakistan - A Pirate Nation

read this, Stuff
also check this out here,
Dissembly Language: Unzipping the World Summit on the Information Society
by hydrarchist - slash.autonomedia.org Tuesday, Oct 28 2003, 8:36pm
international / sci-tech / opinion/analysis

Background to the World Summit non the Information Society, introduction to the project of Geneva03, intellectual property and the counter-offensive from below.
The http://www.geneva03.org is now fully active in many countries across Europe, Korea, the U.S., Canada and beyond. As yet it seems that there is nothing happening in Ireland. The campaign does not insist that everyone go to Geneva nor does it end in December, rather the idea is to provoke decentralised actions and open a discussion linking a series of themes which we believe to be key to understanding the present: media control, intellectual property, work (both casualized and immaterial) and migration. Obvioulsy these are not the only elements required to make sense of the changing world we inhabit, but they constutute some key elements. Ideas, proposals?

Dissembly Language: Unzipping the World Summit on the Information Society

The World Summit on the Information Society (WSIS) has already attracted the attention of the critical media community. Here, A.T. examines what’s at stake at the Summit and how its agenda reflects changes in the post- industrial location of power, describing some working strategies for intervention in the WSIS process from ‘independent’ and contestatory communications groups formed outside last year’s European Social Forum

A TALE OF TWO TERMS

We begin with a tale of two terms: the well aired and well known ‘Information Society’, and its rather furtive and less well known relation, ‘intellectual property’ (IP). One of the decade’s great shibboleths, ‘Information Society’ was a phrase recycled throughout the '90s by policy hacks, academics and gurus alike. Employed variously to herald the expansion of digital networks, the permeation of labour by information processes, and the shift from tangible to intangible goods, ‘Information Society’ seemed to imply something inexorable, a consequence of the massive mediatisation of the preceding years, outside any one set of strategic interests - something, we were constantly reminded, ‘we would all have to adapt to.’

What this rhetoric largely occluded was the wave of expansionist intellectual property laws which accompanied the ‘informaticisation’ of society. These legal constraints, at whose epicentre sits the Trade Related Aspects of Intellectual Property Rights (TRIPS), annex to the General Agreement on Trades and Tariffs (GATTs), have served a very strategic set of interests within the post-industrial scene. They have effectively reversed the notional role of IP laws from the protection of cultural production and scientific/technological innovation to the limitation of these creative forces, and served to fix relations between advanced post-industrial states and the former ‘third world’. They have done this by creating copyright monopolies which drive concentration of ownership, push up costs of entry into markets, and exclude effective activity for many independent actors.

Advanced ‘post-industrial’ states now compel others to observe legal norms that effectively disallow certain forms of innovation, production and organisation. The states thus impacted are effectively limited, through control over invention and information, to a role as factors in the system of global production that has the major powers of the North at its centre. The agreements ensure that even where production is transferred to these areas due to lower labour and production costs, the profits continue to flow to New York, London and Zurich.

Copyright laws protect commerce from competition and from its own customers, allowing it to charge a rent on the past which finances domination of markets in the present ñ and which, in turn, is taken to guarantee the future. This putative guarantee comes at a certain price: software licenses checked at gunpoint in Brazil; 40 people arrested in Madrid in a swoop on pirate CD/DVD network (industry lobbyists insist such operations bankroll terrorism); a Russian software engineer arrested and jailed in the United States after a conference presentation of his work before thousands; indigenous Indians in Chiapas rioting after a police raid on a market of infringing goods; an 18-year-old Norwegian prosecuted for enabling a Linux based DVD player; American citizens sharing music prosecuted as felons; university researchers charged with criminal trade secrets offences for publishing knowledge derived from their own research works; China summarily executing trademark pirates as disciplinary examples. In AIDS-ravaged sub- Saharan Africa and Asia, pharmaceutical companies have instigated actions through the WTO and in national courts to prevent the cheap manufacture of the anti-retrovirals necessary for people to survive. Where once corpses accumulated to the advance of colonialism or the indifference of commodity capital, now they hang in the profit and loss scales of Big Pharma, actuarially accounted for and calculated against licensing and royalty revenue. With the aid of stringent IP law, companies are able exercise a biopolitical control that takes to new extremes the tendency to liberate capital by restricting individual and collective freedoms and rights - even the right to life itself. Intellectual property rules reflect the diffuse nature of exploitation in the modern social factory, taxing our access to health, self-development and leisure rather than simply extracting surplus from labour.

Read the rest at:

http://info.interactivist.net/print.pl?sid=03/07/22/0123234

Re: Pakistan - A Pirate Nation

more discussion about the economics of RIAA / how is general public screwed , http://discuss.fogcreek.com/joelonsoftware/default.asp?cmd=show&ixPost=159253