Nazam Of The Week Competition

Arts & Culture Poetry ( Intikhaab & Sho'ra-e-Gupshup)
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Re: Nazam Of The Week Competition

mjhe us say yeah kehna tha ..
k mjh ko yaad maat krna..
**tarap kr tum juadi mai **
yeah dil barbad matt krna..

**tum honto pr hansi koi **
kehi say quaid kr laina...
jo mjhe say door bhi ho jayoo
isay azad matt krna..

jo hum ko jeena hi tehra
kisi b tor jee lay gay ..
**magr tum zindagi say **
**abb koi faryad matt karna **

magr yeah sab jo kehna tha
yeah us say kab kha mai nay ..

lab khulayee tou..
yeah mai nay keh diya..
"tumhare bina nhi jeena"

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Re: Nazam Of The Week Competition

Bahut aa’laa … :k:

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Re: Nazam Of The Week Competition

Wow Nice Sami !!!!!!!!!

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tumhen jab kabhi milein fursatein meray dil se bojh utaar do
mai bohot dinon se udaas hoo mujhe koi shaam udhaar do

mujhe apney roop ki dhoop do k chamak sakein meray khaal-o-khad
mujhe apnay rang mein rang do meray saarey rang utaar do

kissi aur ko meray haal se na koi gharaz hai na wasta
mai bikhar gaya hoo samait lo mai bigar gaya hoo sanwaar do.

mirii wehshaton ko barha diya hai judayion k azaab nay
meray dil pay haath rakho zara meri dharkanon ko qarar do

tumhe subha kaisi lagi kaho meri khawahishon kay diyaar ki
jo bhali lagi to yahin raho, ise chahton se nikhaar do

wahan ghar mein kon hai muntazir kise fikr dair sawair ki
bari mukhtasir see yeah raat hai ise chandni mein guzaar do

koi baat kerni hai chand se kissi shaakhsaar ki oat mein
mujhe raastey mein yahin kahin kissi kanj-e-gul mein utaar do

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Atlast … aap ne posting kar hi di …
Bahut umdaah … :k:

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:hehe:..thanx :slight_smile:

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Re: Nazam Of The Week Competition

Neha its a ghazal not nazam kindly if you can post a nazam that vl be apriciated

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Re: Nazam Of The Week Competition

plz tell me what's the difference between nazam n ghazal?

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oopsss..whats the difference :confused:…

ok i’ll post another:)

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Re: Nazam Of The Week Competition

Whats are differeneces between behr, Nazm, Ghazal, kavita, rachna....???

To know the differences between all this, first we shuuld know what is beh’r, Nazm, Ghazal, Kavita & Rachana.

1) Ancient Indian Poetry (indo-Aryan languages)

Geet & Kavita,

Geet is a word in several Indo-Aryan languages, deriving from the Sanskrit word gita, which means a song or a poem. It is a genre of poetry in most contemporary Indo-Aryan languages like Hindi, Punjabi, Guajarati, etc. It is commonly used as song or hymn.

Kavita: Kavi(poet) +ta(imagination) = Creation/imagination of a poet, the whole poetic work of a poet(KAVI) may be called a kavita. It is just like Nazm. (But Nazm basically consist of urdu words, but Kavita basically consist of Hindi words. ) Just like the difference between a Shayar and a kavi...: D Nazm & kavita is almost same...

2) Urdu poetry (Arabic and Persian languages)

Urdu poetry (Urdu Shayari) is one of the greatest and finest poetries of the world. It has many different colours & types and some those unique traditions which are nowhere in any poetry. It has generated its root from Arabic and mainly from Persian. Urdu Poetry has two main types i.e. Ghazal and Nazm

Ghazal: In poetry (and as the lyrics in songs), the Ghazal is a poetic form consisting of couplets which share a rhyme and a refrain.

A Ghazal, in short, is a collection of couplets (called sher) which follow the rules of Matla, Maqta, Beher, Qaafiyaa, Radif, Khayaal and Wazan. The traditional complete Ghazal has a matla, a maqta, and atleast three other shers in between. The first two shers of a Ghazal can have the form of a qatha (a specific variation of which is a ruba'ee; most familiar to modern readers from Khayyám's Rubayyat).

Details of the Form

  • The second line of each couplet in a Ghazal ends with the repetition of a refrain of one or a few words, known as a Radif, preceded by a rhyme (though in a less strict Ghazal the rhyme does not need to precede the refrain immediately), known as a Kaafiyaa. In the first couplet, this introduces the theme, both lines end in the rhyme and refrain. I.e. AA BA CA etc

  • There can be no enjambment across the couplets in a strict Ghazal; each couplet must be a complete sentence (or several sentences) in itself.

  • All the couplets, and each line of each couplet, must share the same meter.

  • Some Ghazals do not have any Radif. This is, however, rare. Such Ghazals are called "gair-muraddaf" Ghazal.

  • Although every Sher, should be an independent poem in itself, it is possible for all the Shers to be on the same theme. Alternatively, even have continuity of thought. This is called a musalsal Ghazal, or "continuous Ghazal". The Ghazal "Chupke chupke raat din aasun bahaanaa yaad hai" is a famous example of this.

  • In modern Urdu poetry, there are many Ghazals, which do not follow the restriction of same Beher on both the lines of Sher. However, even in these Ghazals, Kaafiyaa and Radif are present.

  • The restriction of Maqta has become rather loose in modern times. The Maqta was used historically as a way for the poet to secure credit for his or her work and poets often make elegant use of their takhallus in the maqta. However, many modern Ghazals do not have a Maqta or, many Ghazals have a Maqta just for the sake of conforming to the structure or tradition. The name of the Shayar is sometimes placed unnaturally in the last Sher of the Ghazal.

Nazm:

A Nazm is an Urdu poetic form that is normally written in rhymed verse. The Ghazal in Urdu represents the most popular form of subjective poetry, while the Nazm exemplifies the objective kind, often reserved for narrative, descriptive, didactic or satirical purposes.

Example of Nazm:

YAAD: By Fazil Jamili

Tum hanstee thee jaisey saawan gaa'ye malhaar
Tum rotee thee jaisey baarish, woh bhi moosla dhaar
Tum chaltee thee subah saweray jaisey chaley hawa
Tum ruktee thee maang raha ho jaisey koi dua
Tum sotee thee toot rahi ho jaisey koi angrraayee
Mein ney jitney mosam dekhhey yaad tumhaaree aayee

Beher:

behar in Urdu poetry is the meter of a sher (a form of poetry in Urdu, essentially a couplet). It may be considered as the length of the sher. Both the lines in the sher, the couplet, must be of same beher. Moreover, all the shers in one Ghazal (a poetic form consisting of couplets, which share a rhyme and a refrain) must be of the same beher. There are 19 kinds of beher. However, generally beher is categorized in three classes:
Short, medium, long, depending upon the length of the misra (first line of the sher)

For a Ghazal, all the shers in the Ghazal should be of the same of beher. The example of this is this Ghazal of Faiz Ahmed Faiz. Notice the length and meter of the a’shaars in this Ghazal: it is same throughout.

shaiKh saahab se rasm-o-raah na kii
shukr hai zindagii tabaah na kii

tujh ko dekhaa to ser-e-chashm hue
tujh ko chaahaa to aur chaah na kii

tere dast-e-sitam kaa ajz nahii.n
dil hii kaafir thaa jis ne aah na kii

the shab-e-hijr kaam aur bahut
ham ne fikr-e-dil-e-tabaah na kii

kaun qaatil bachaa hai shahar me.n 'Faiz'
jis se yaaro.n ne rasm-o-raah na kii

So, the differences between Behar, Nazm, kavita, rachna, Ghazal
Except, Behr all others are the either expressive or poetic creation by a person. Behr is pattern in which we arrange words of Ghazal/Nazm/Kavita/ geet etc etc in a musical way.

Ghazal

i) Followed the rule of matla/maqta, raadiif, qaafiye, Khayaal, wazn , rhyme etc.
ii) Every couplet of a Ghazal may be called as Nazm coz; every couplet is complete in itself.
iii) Every couplets is complete in it’s self. Ghazal may not be a centralization of a thought,
iv) The Ghazal in Urdu represents the most popular form of subjective poetry,

Nazm

i) Here is only the rule of Khayaal, rhyme, & somewhere behr too.
ii) The entire poetical work is called as Nazm.
iii) The complete poetical work is a centralization of a thought; we cannot write a part Nazm. It will be just like an incomplete story.
iv) The Nazm exemplifies the objective kind, often reserved for narrative, descriptive, didactic or satirical purposes.

Hope you people understand ...

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Re: Nazam Of The Week Competition

Thanks Arif bhai such a wonderful post !

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Re: Nazam Of The Week Competition

Waiting for your entries :)

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I truly hope the difference must be understood ...

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Re: Nazam Of The Week Competition

***,,,,eik diya jala rhii hoon,,,
,,,,jis ki loo main ho muhabbat ki tappish,,,
,,,roshni main hoo wafa ka rang,,,
,,,DIL k dar-o-dewaar jis say jugmgaien,,,,
,,,jis ka maqsad-e-hyaat ho tri khushii,,
,,,jis main jgmgatii ho meri zindgee,,,
,,,to banay agr us ka nighebaan,,,,
,,,main jeet looo her imtehaan,,,,,
,,,,jaltii rahoon main tmaam ummr,,,
,,,teri banhoon main niklay meri jaan,,,,
,,,mand honay pay hoo jaon main qurbaan,,,
,,,agar do mera saath to bolo HAAN ??????
,,,,??????,,,,,,,,,,,,??????,,,,,,,,,,,,,,,,?????***
my all tym favourite!!!

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Have no words to explain the beauty of this poem.Thanks sana for participating !

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Re: Nazam Of The Week Competition

:blush:
most welcum!!

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Re: Nazam Of The Week Competition

Wah** Aryan** wah boht Aala

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Re: Nazam Of The Week Competition

Khaamoshii Khud apanii sadaa ho aisaa bhii ho sakataa hai
sannaaTaa hii guuNj rahaa ho aisaa bhii ho sakataa hai

meraa maazii mujh se bichhad kar kyaa jaane kis haal mein hai
merii tarah vo bhii tanhaa ho aisaa bhii ho sakataa hai

saharaa saharaa kab tak mai.n DhuuN DhuuN ulfat kaa ek aalam
aalam aalam ik saharaa ho aisaa bhii ho sakataa hai

ahl-e-tuufaaN soch rahe hain saahil Duubaa jaataa hai
Khud un kaa dil Duub rahaa ho aisaa bhii ho sakataa hai

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*Muhabat phir Muhabat hay *

Kabhee dil say nahi jate

Hazaroon rang hyn is kay

Ajab hi dhang hyn is kay

Kabhee sehra

Kabhi jugnu

Kabhi Ansoo

Kabhe manzil kinaray par

Payasa maar deti hay

Aziyat hi Aziyat hay

Magar

Yeh b haqiqat hay

Mohabat phir mohabat hay

Kabhee dil say nahi jate.....