Re: Moenjo Daro - Largest City-Settlement of Indus Valley Civilization..
Architecture and urban infrastructure
Mohenjo-daro, 25 km southwest of Larkana, was center of the Indus Valley Civilization 2600 BC-1900 BC
Mohenjo-daro is a remarkable construction, considering its antiquity. It has a planned layout based on a grid of streets, which were laid out in perfect patterns. At its height the city probably had around 35,000 residents. The buildings of the city were particularly advanced, with structures constructed of same-sized sun dried bricks of baked mud and burned wood.
The public buildings of these cities also suggest a high degree of social organization. The so-called Great Granary at Mohenjo-daro as interpreted by Sir Mortimer Wheeler in 1950 is designed with bays to receive carts delivering crops from the countryside, and there are ducts for air to circulate beneath the stored grain to dry it. However, Jonathan Mark Kenoyer has noted that no record of grain exists at the “granary.” Thus Kenoyer suggests that a more appropriate title would be “Great Hall.”
Close to the granary, there is a building similarly civic in nature - a great public bath (sometimes called the Great Bath), with steps down to a brick-lined pool in a colonnaded courtyard. The elaborate bath area was very well built, with a layer of natural tar to keep it from leaking, and in the centre was the pool. Measuring 12m x 7m, with a depth of 2.4m, it may have been used for religious or spiritual ceremonies.
Within the city, individual homes or groups of homes obtained water from wells. Some of the houses included rooms that appear to have been set aside for bathing, and waste water was directed to covered drains lining the major streets. Houses opened only to inner courtyards and smaller lanes. A variety of buildings were up to two stories high.
Being an agricultural city, it also featured a large well, and central marketplace. It also had a building with an underground furnace (hypocaust), possibly for heated bathing.
Mohenjo-daro was a well fortified city. Lacking actual city walls, it did have towers to the west of the main settlement, and defensive fortifications to the south. Considering these fortifications and the structure of other major Indus valley cities like Harappa, lead to the question of whether Mohenjo-daro was an administrative centre. Both Harappa and Mohenjo-daro share relatively the same architectural layout, and were generally not heavily fortified like other Indus Valley sites. It is obvious from the identical city layouts of all Indus sites, that there was some kind of political or administrative centrality, however the extent and functioning of an administrative centre remains unclear.
Mohenjo-daro was successively destroyed and rebuilt at least seven times. Each time, the new cities were built directly on top of the old ones. Flooding by the Indus is thought to have been the cause of destruction.
The city was divided into two parts, the so-called Citadel and the Lower City. Most of the Lower City is yet to be uncovered, but the Citadel is known to have the public bath, a large residential structure designed to house 5,000 citizens and two large assembly halls.
Mohenjo-daro, Harappa and their civilization, vanished without trace from history until discovered in the 1920s. It was extensively excavated in the 1920s, but no in-depth excavations have been carried out since the 1960s.
Artifacts
The “Dancing girl” found in Mohenjo-daro is an artifact that is some 4500 years old. The 10.8 cm long bronze statue of the dancing girl was found in 1926 from a house in Mohenjo-daro. She was British archaeologist Mortimer Wheeler’s favorite statuette, as he said in this quote from a 1973 television program:
“There is her little Baluchi-style face with pouting lips and insolent look in the eyes. She’s about fifteen years old I should think, not more, but she stands there with bangles all the way up her arm and nothing else on. A girl perfectly, for the moment, perfectly confident of herself and the world. There’s nothing like her, I think, in the world.”
John Marshall, one of the excavators at Mohenjo-daro, described her as a vivid impression of the young … girl, her hand on her hip in a half-impudent posture, and legs slightly forward as she beats time to the music with her legs and feet.
The artistry of this statuette is recognizable today and tells of a strange, but at least fleetingly recognizable past. As the archaeologist Gregory Possehl says, “We may not be certain that she was a dancer, but she was good at what she did and she knew it”. The statue could well be of some queen or other important woman of the Indus Valley Civilization judging from the authority the figure commands.
A seated male sculpture is the so-called “Priest King” (even though there is no evidence that either priests or kings ruled the city). This 17.5 cm tall statue is another artifact which has become a symbol for the Indus valley civilization. Archaeologists discovered the sculpture in Lower town at Mohenjo-daro in 1927. It was found in an unusual house with ornamental brickwork and a wall niche and was lying between brick foundation walls which once held up a floor.
This bearded sculpture wears a fillet around the head, an armband, and a cloak decorated with trefoil patterns that were originally filled with red pigment.
The two ends of the fillet fall along the back and though the hair is carefully combed towards the back of the head, no bun is present. The flat back of the head may have held a separately carved bun as is traditional on the other seated figures, or it could have held a more elaborate horn and plumed headdress.
Two holes beneath the highly stylized ears suggest that a necklace or other head ornament was attached to the sculpture. The left shoulder is covered with a cloak decorated with trefoil, double circle and single circle designs that were originally filled with red pigment. Drill holes in the centre of each circle indicate they were made with a specialized drill and then touched up with a chisel. Eyes are deeply incised and may have held inlay. The upper lip is shaved and a short combed beard frames the face. The large crack in the face is the result of weathering or it may be due to original firing of this object.
Current UNESCO status
Preservation work for Mohenjo-daro was suspended in December 1996 after funding from the government and international organisations stopped. However, in April 1997 the U. N. Educational, Scientific and Culture Organization (UNESCO) funded a $10 million project to be conducted over two decades to protect the standing structures and the site from flooding.
http://en.wikipedia.org/wiki/Mohenjo-daro
