Hindustan ki Kasam - A Film by Veeru Devgan

Fighter!

             Syed Firdaus Ashraf 

             Wonder how many jailbirds went on to direct
             Amitabh Bachchan. We know for certain that at least
             one did. Name of Veeru Devgan. Director-producer
             of the upcoming Hindustan Ki Kasam. 

             It was at 14, in 1957 that Veeru took his most serious
             decision -- to try his luck in Bollywood. So he and
             three other friends fled their homes in Amritsar and boarded the Frontier Mail
             without bothering to purchase a ticket. 

             The ticket collectors missed them for most of the way. But their run of luck
             ended at Virar where one of the four was caught. They ended up at the Virar
             railway lock-up, a good distance from the nearest film studio. 

             "We never knew we had almost reached Bombay. And since Virar was under
             the Thane police's jurisdiction, the railway police took us next day to Thane jail
             via Dadar by train. When we alighted at Dadar station, we realised we were in
             Bombay," recalls Devgan. 

             But they were on their way to the court at Thane and so they bid goodbye to
             the city to stand before the Thane magistrate. The magistrate said they'd have
             to either pay a fine or go to jail. Being penniless, they cooled their heels a
             week behind bars. 

             They were asked to leave after a week but Veeru was reluctant since they
             were at least fed in the jail. But they had to go. However, the jailer suggested
             that they try their luck at Koliwada near Sion since there were a great many
             Punjabis like them there. 

                               "We left for Koliwada in a hope that some Punjabi
                               fellowmen would help us. But we didn't get help from
                               anyone," he says. 

                               The next day, sick and disappointed, Devgan's friends
                               decided they'd had enough of the city and left for
                               Amritsar. But Devgan was made of tougher stuff and
                               decided he wouldn't return till he made his name in the
             film industry. 

             In the interim, he set about cleaning taxis and working part-time job as a
             carpenter. Once he'd regained some confidence, Devgan began circling the
             film studios, hoping he'd get a chance as an actor. But he realised that his
             more conventional mug hadn't a chance among the chocolate faces that was
             the standard at the time. 

             "After seeing my face in the mirror, I felt I was much inferior to the other
             strugglers. So I gave up. But I took a vow then that my first son born would
             become a hero," Devgan recalls. That son, you might be interested to know if
             you already didn't, was one Ajay Devgan. 

             Anyway, Veeru, having given up plans to become a hero, returned to chipping
             wood. And that was when his granduncle came down from Amritsar to take
             him home. His granduncle had earlier expressed his hope that Devgan would
             become a policeman or a tempo driver. 

             "I was never interested in those jobs. After staying for a year in Amritsar. I
             told Nanaji that I would like to return to Bombay and do something on my own
             which I knew I could never do in Amritsar." 

             And so he returned to resume his aborted career as a carpenter and took up
             free-style wrestling on the side. 

             "I gained expertise in it. And one day I got my first
             break as a stunt man in Anita." However, the film
             didn't see the light of day due to some financial
             problems. But with it, Devgan got a break with
             well-known fight director Ravi Khanna. 

             After a long and arduous time as a stunt man, Devgan
             got his first break as a fight director in Manoj Kumar's Roti Kapda aur
             Makaan. And then his career picked up, and he soon had a great many films
             on hand. 

             "I have played a stuntman for almost every hero, be it Dilip Kumar,
             Dharmendra, Vinod Khanna, Rajesh Khanna or Jeetendra." 

             So didn't he come anywhere close to death during that time? Devgan laughs. 

             "Death hovers over a stuntman constantly. I have escaped narrowly so many
             times that I have stopped giving importance to such problems." 

             Aaj mere jism ki ek ek hadi toot choki hai [Every bone in my body has
             been broken]," he says. 

             So, how he get the idea for Hindustan Ki Kasam? 

                               "Actually, I have seen the brotherhood of Hindus and
                               Muslims before and after Partition. Members of my
                               family were saved by Muslims during the 1947 riots. I
                               had witnessed it all as a child in Amritsar. 

                               "I feel that people of both India and Pakistan want
                               friendship. But it is only the political classes that are
             not interested in keeping the peace. 

             Devgan refuses to give more details about the films and says the story is worth
             the suspense. What we do know is that it revolves around a writer who, in his
             books, tends to detail the killing of a group of officers picked to ensure
             Pakistan is declared a rogue state. And the army sits up and takes notice... 

             How does it feel to have a son become a superstar? 

             "Obviously, I feel good that my dreams have been achieved." 

             Like him, Ajay also had to contend with the
             ordinariness of his face, compared to the dashing
             figures cut by compatriots like Aamir Khan, Salman
             Khan, Akshay Kumar et al. 

             "People used to laugh at me and say, Itna ordinary
             face ka aadmi hero ban hi nahin sakta [A man with
             such an ordinary face cannot become a hero]'. But Ajay has proved his
             critics wrong and established himself as an actor since 1991." 

             According to Devgan, Ajay is the only actor in the film industry today who can
             speak through his silence and deliver dialogues through his eyes. 

             We drop the matter of Ajay and return to discussing Veeru. So how has fame
             changed him? 

             "I am still the same Veeru Devgan I used to be 40 years ago. I still prefer to
             travel by my motorbike -- In fact, I do that to avoid traffic jams. I am still in
             regular touch with my old friends." 

             And then we pitch the curve ball, about how he never comments about how he
             copes up with his daughter-in-law Kajol. 

             "The press is always interested in cooking up stories. So, we decided not to
             comment anything regarding our personal life. She is just like my daughter at
             home. And we all live together happily."