Ek Bhasha, Do Likhawat

Hindi-Urdu controversy continued…

DAWN - Features; April 29, 2008

It is quite surprising that a strong reaction against Dr Gian Chand Jain’s controversial book ‘Aik Bhasha: Do Likhawat, Do Adab’ is being generated mainly in India, and Pakistani intellectuals, to a large extent, have kept mum on the issue. Though some of our countrymen have replied to the book that has largely been described as ‘communal, biased, sarcastic, acrid, malicious, anti-Urdu and anti-Muslim’, these have been half-hearted attempts to react on an issue that challenged not only our ideological but also our linguistic and literary notions. Even some of our intellectual friends have sided with Dr Jain. For example, in an article published in the fifth issue of ‘Niqaat’, a literary journal published from Faisalabad, an intellectual has lashed out at our countrymen for missing out on a wonderful opportunity offered to us for self-criticism and self-evaluation in the shape of Dr Jain’s book.

Personally I believe in the freedom of thought and expression. I simply reserve my right to differ and do beg to differ, but it is strange that Pakistani critics, researchers and intellectuals – supporting either side of the argument – have not been able to write even a full-length objective article on the issue, let alone a book, though the issue concerns them in equal measure.

On the contrary, the reaction in India has been quick, crisp and detailed. In addition to a large number of articles and columns, at least two books have been written on the issue. As I have expressed my views on Dr Jain’s book in an article of mine published in Dawn (Books & Authors, June 24, 2007), I would rather restrict myself to a brief introduction of the two books here.

The first one, titled ‘Aik Bhasha … Jo Mustarad Kar Di Gai’ is written by Prof Dr Mirza Khalil Ahmed Beg, former chairman of the Department of Linguistics, Aligarh Muslim University. Written in an objective manner and based on historical and linguistic facts, Dr Beg’s book has totally rejected Dr Jain’s book on the basis of linguistic theories. **He says, for instance, that Dr Jain objects to the point of view held by many Muslim scholars that khari boli Hindi was a new language, cooked by the British at Fort William College. Dr Beg has not only proved this notion correct but has quoted Hindu and western scholars who have supported this theory. Similarly he has contested Dr Jain’s point of view that Urdu does not have a chronological precedence over Hindi and has proved, with citations from Hindu scholars (as Dr Jain believed that Muslim scholars were biased against Hindus and Hindi), that Urdu is senior to Hindi not only as a spoken language but also as a literary language.
**
In the light of Dr Beg’s arguments, it is easy to conclude that in the beginning there was only one language, written in one script (Perso-Arabic), shared by both Hindus and Muslims and known as Hindi, Hindvi, Rekhta, Urdu or whatever, as it had different names in different parts of India. Later on, thanks to the colonial designs, we had one language written in two scripts – Urdu and Nagari. Now it is two languages with two scripts and two literatures. And this bifurcation took place mainly due to Hindu revivalist and nationalist movements who saw Hindi written in Nagari as their cultural and religious icon.

Dr Beg’s style is unemotional and he views the Hindi-Urdu controversy in historical and cultural perspective. Dr Beg has successfully unmasked Dr Jains’ biased approach and his communal mindset.

The other book ‘Do Zabanen, Do Adab’, has been written by Prof Dr Abdus Sattar Dalvi, former head of the Urdu department, University of Bombay. Dr Dalvi believes that though both Urdu and Hindi are daughters of the same mother, Sanskrit, Urdu is older by centuries. Both share the same grammar and lexicon but have their separate identities. Arabic and Persian have played a vital role in shaping Urdu’s vocabulary. According to Dr Dalvi, orientalists such as John Gilchrist, Duncan Forbes, Fallon, Grierson and even Tara Chand have held the view that Urdu is the original and older language. Prof S. K. Chatterji disagreed with these orientalists and called Urdu ‘Muslim Hindi’. It was a misleading theory and the fact is that after 1850 an artificial language was nurtured by Hindus to keep the Hindu identity intact. According to Dr Dalvi, Chatterji should have rather** labelled Hindi as ‘Hindu Urdu’.** But in 1973, Prof Chatterji admitted in his lectures that he gave in Bombay that Urdu was the original language and accepted its seniority.

Dr Dalvi says that Hindi was developed in fact in the later half of the 19th century and behind its rise stood communal thinking and British and Hindu politics. Gandhi was of the opinion that neither Urdu nor Hindi but ‘Hindustani’ should be India’s national language. After 1947, Hindi was declared India’s and Urdu Pakistan’s national language and Gandhi’s unnatural theory died a natural death.

Though Dr Dalvi has got it right, I personally disagree with him where he has favoured Gandhi’s theory of a common language for India named Hindustani. The question is: What is or was Hindustani? A new and carefully planned artificial and unnatural language laden with strange Sanskrit words or the same old, common language spoken by the common people of India, both Hindu and Muslim, for centuries and written in one script?

In fact the Indian movies, popularly known as Hindi movies, are Urdu movies. If you want to have a confirmation, try singing a few lines from any ‘Urdu’ Indian movie and you will know it. Why do the producers and songwriters prefer this language which is not pure Hindi, contrary to the language of Door Darshan and All India Radio’s language of the news bulletins? Simply because people do not understand the Sanskritized artificial language and the language spoken and preferred by the man in the street in India is Urdu, the natural, the older and the real language.

Re: Ek Bhasha, Do Likhawat

Mr Gayan Chand Jain alleged that Urdu literature is full of instances where a Muslim male is in love with Hindu mehbooba.

He condemns Jagan Nath Azad for writing a Nazm against the Babri Masjid demolition, but praised Tasleema Nasreen a writer from Bengaladesh for writing novel 'Lajja' in perspective of reaction after Babri Masjid demolition. Mr Jain refused to accept that the demolished building at Ayodhia was a Masjid as Muslim entry was abandoned in the building in 1985-86 after permission of moorti pooja.

Re: Ek Bhasha, Do Likhawat

i somewhere heard that getting a cinema board certificate for movie in urdu is harder as compared to hindi..thats why lots of movies with urdu dialogues got certificate of hindi language film as producers applied for it..

Re: Ek Bhasha, Do Likhawat

There is still a huge difference between the Hindi of national Geographic dubbed material and bollywood's Hindi movies. Upto 90s they were using Persianised / Arabic influenced Urdu for bollywood's songs. Muzaffar Ali's Umrao Jan was definitely in Urdu, where Rekha had Sheen qaaf wala durst Urdu diction, where as JP Dutta's Umrao Jaan (Aishwariya Rai) maat kha gai :D

Re: Ek Bhasha, Do Likhawat

ji i was talking about those old urdu movies certified as hindi films

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Someone from US can confirm this allegation of Mr Jain:

Pakistanis who have settled in USA still connects themselves with Pakistan even after getting US citizenship (is it unnatural?).

He furthers adds fuel to the fire by saying that the popular magazines from Urdu speaking community are owned by Pakistanis and they don't miss a chance to degrade Hindu and Hindustan and use abusive language for them. (Is it possible in USA?)

Re: Ek Bhasha, Do Likhawat

indians apne aap ko india se connect nahi kerte hain kya?

Re: Ek Bhasha, Do Likhawat

:hmmm: Thats what I was thinking. he further goes to attack Pakistani Urdu syllabus (though we got our own critics in Pakistan). He says ‘Maloom hota hai jaise ye nisaab Afghanistan ke Taaliban ne tayyar kia hai’. :smiley:

Re: Ek Bhasha, Do Likhawat

her mulk ke education system me kuchh baate chhupai jati hai kuchh paRhai jati hain..
ab hamare haan ke syllabus me bhi muslim freedom fighters ko kahan zyada jagah di gayi hai bus urdu schools ke syllabus me hota hai thora bahot

Re: Ek Bhasha, Do Likhawat

have you heard name of Gayanchand Jain before this thread. I read that he was very popular Urdu scholar of India and he wrote this last controversial work in his last days.

Re: Ek Bhasha, Do Likhawat

ji nahi...:D

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We can find literary works of some Urdu writers in 1500s/1600s. Can we find Hindi work during that time?

Re: Ek Bhasha, Do Likhawat

Interesting thread. Tried to read up on Hindi and its origins. Wiki says that Khari boli has been seen as far back as during the time of Amir Khusrau. Amir Khusrau in his works mixed the roughness of the Khari boli with the relative softness of Awadhi to form a new language which they called "Hindvi." Hindvi later developed into Hindustani—which further diverged as Hindi and Urdu. What ever the origin, for some one who grew up not speaking hindi, I found the dialogues of Aishwarya Rai easier to follow and understand but had to strain myself to understand Hritik Roshan in Jodha Akbar, What does that imply about the languages?

Re: Ek Bhasha, Do Likhawat

which works you are referring to?

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Akbar (Hritik Roshan) was from the era when they use to speak Persian in court, whereas Umrao Jaan (Aishwarya) written by Mirza Hadi Ruswa was of the British period, when Urdu / Hindvi had got its roots among masses.

I think Ashutosh Gowariker tried to get Hritik (Akbar) utter few Persian words, which were even not uttered by characters of K. Asif’s Mughal e Azam :slight_smile: The actual (nearer) language by Mughal court during Akbar era was some what like this:

Supreme Ishq - Video Dailymotion](http://www.dailymotion.com/video/xd1vf3_supreme-ishq_music)

Re: Ek Bhasha, Do Likhawat

I was thinking of Ghalib but he was in the 1800s, oldest was Amir khusrau who was in 1200s. Was there Hindi at that time? As its or sure what ever language would exist at that time would have had Persian influence and hence can be called today's Urdu.

Re: Ek Bhasha, Do Likhawat

Akbar's nauratan Abdul Rahim Khan i Khana wrote Hindi couplets which are still part of Hindi syllabus in India :)

Amir Khusrau's language was much different than Ghalib or today's Urdu, but that formed basis for today's languages.