Re: Dramas Today and Crazy Storylines
** Where there's drama**
By Omair Alavi
Watching and understanding a play on local television these days is an act of courage, bravery, guts and above all, the reason why people are switching to Indian channels. It seems gone are the days of notable playwrights such as Asghar Nadeem Syed, Hasina Moin, Amjad Islam Amjad, Ashfaq Ahmed and producers and directors such as Sahira Kazmi, Nusrat Thakur, Shoaib Mansoor, Mohsin Ali, etc. In fact, a look at some of today's dramas would seem to suggest that our directors and producers are copying Saas Bhi Kabhi Bahu Thi and Kahani Ghar Ghar Ki without realizing that their plays end up becoming Indian clones.
These days, a director is someone who can yell "lights, camera, action" while every second person consider himself a playwright. Since that is the case, tons and tons of plays are being aired from numerous TV channels, leaving one to decide what to opt for and what not to within a minute. The unusual experience of coming across three plays recently prompted this writer to share some facts in the current crop of TV plays.
Ahsaas airs on Indus Vision and begins with a brilliant title track sung by Shabnam Majeed (of *Supreme Ishq* fame) for Javed Allah Ditta and Mohsin Javed. Other than this, Barkat Sidiki's play doesn't bring in anything new. What Ahsaas portrays has already been seen on Indian channels where two parties clash over business, a love story blossoms in one of the families with the boy and girl having no clue about it, a poor guy who is cheated upon by his rich wife and a student who falls in love with her professor who incidentally is a widower (with a five-year-old in tow).
While Shabbir Jan (strikingly reminiscent of Marlon Brando in *Godfather*) and the ever-graceful Abid Ali are the two fighting businessmen, Faisal Qureshi is Abid's nephew who is love with the over made-up and under-dressed Fiza Ali. Maria Wasti is the student (as unbelievable as it may sound) who admires her college professor Qaiser Khan Nizamani who, as you may have guessed by now, has a young daughter. Shahzad Nawaz plays the hero-cum-villain-cum-double-crossing-husband while Sonia Khan plays a Christian woman. who works in Shabbir Jan's office.
Sonia's character fails to impress because of the director and not because of her acting abilities. Abid Ali is still the best in the business while Faisal Qureshi resembles Shahrukh Khan at times. Maria Wasti may be too old to play a student but still passes as acceptable and the same can be said of Qaiser Khan, who is a far better actor than director. Shabbir Jan should opt for a long leave before taking up any more offers at the risk of overexposure.
Misbah Khalid (director of *Laila Majnu*) calls the shots in *Mere Paas Pass*. Samira Fazal scripts this 'family drama' on Hum TV. What one fails to understand is why plays that have adult themes are being shown on prime time when entire families sit down in front of their TV sets? Has the average viewer grown mature enough to watch such plays?
Deepak Perwani may not be able to act but yes, he can hug and kiss his on-screen wife a lot better. Nadia Jameel is still an excellent actress but by choosing plays such as Mere Paas Paas, she seems to be going nowhere. She works best with the likes of Mehreen Jabbar and should stick to such brand of directors.
Moammar Rana walks off with the best acting credits and takes the cake with his natural flair for acting. It is his first major appearance after his short stint in the Bollywood production Dobara and he does prove his mettle here. He plays a gym instructor and also the next-door neighbour of Deepak and Nadia. In the initial episodes, Momi dominated the cast and was the lone saviour of Mere Paas Paas.
The most impressive is Indus Vision's *Siskiyaan* with a star-studded cast, impressive script, brilliant camerawork, scintillating locales, excellent direction and a touching story based on war-torn Afghanistan and the problems faced by its people. *Siskiyaan* has been written by Aman Ullah Nasar while Umraiz Atta calls the shots. Firdaus Jamal leads the cast that features Ayub Khoso as Sultan Khan, the Pathan leader who wants to rule by force; Maria Wasti and Sanam Iqbal, Aman Ullah Nasar and the late Hassam Qazi in one of his last appearances.
The play, a cross between *Abid Ali's Dasht* and Sajjad Haider's *Dhuaan*, is bound to attract viewers not because of the cast but because no other TV channel has attempted to tackle this subject.
source: DAWN sunday images