Before the Rains - Beautiful Film

Henry Moores (Linus Roache), a British spice baron based in the lush environs of southern India, has no shortage of ambition. If he can build a road to the jungle before monsoon season, exporting his goods will be a breeze. And in T.K. Neelan (Rahul Bose), who hails from the same village as the field workers, he has an invaluable right-hand man.

Moores has become involved with his servant Sajani (Nandita Das), who believes him when he says he’s in love with her. But Moores keeps the relationship a secret from his wife, Laura (Jennifer Ehle), and son, Peter (Leopold Benedict).
Before the Rains
‘Rains’ pours down emotion
Tom Long / Detroit News Film Critic
There’s an exquisite pain to “Before the Rains,” an anguish that feels real on so many levels – social, personal, political, romantic – it’s both overwhelming and somehow cleansing.

The film is a romantic tragedy that takes place in 1930s India. Aspiring spice merchant Henry Moores (Linus Roache) has set up a home in a remote area and is hoping to build a road that will survive the annual monsoons and guarantee his wares passage to England.

Plotting the route is the English-educated T.K. (Rahul Bose), as much friend as assistant to Moores, and a man thoroughly excited about the prospects of the modern world.

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Trouble is brewing though, as Moores is having an affair with his servant, Sajani (Nandita Das), a married woman from the nearby village, while his own wife and child are away.

T.K. senses the affair, and knows the village will rise up against Moores if it’s discovered. When Moores’ wife (Jennifer Ehle) returns home, the anxiety in the air becomes dangerously electric. And when Sajani is beaten bloody by her jealous husband, the film begins making tragic turn after turn.

All this plays out against a backdrop of India in motion, struggling to emerge free from British rule while still leaning on the ambitions of Westerners. And torn from every side is T.K.

Director Santosh Sivan loves his camera and the lush landscape of remote India, focusing in time and again on the natural beauty that transcends the human foibles being acted out in their midst.

But he and screenwriters Cathy Rabin and Dan Verete also breathe real life into their conflicted characters. The result is a deep, dark and rich brew of contrasts between cultures, time periods and loyalties.

Stirring and filled with sad beauty and grandeur, “Before the Rains” offers a tale of torn tradition and perverted progress wrapped around smothered love. It hurts to watch this film. It should.

1:37 PG-13 (for violent content and a scene of sexuality)
B-

Genre: Drama
Cast: Leopold Benedict, Rahul Bose, Nandita Das, Jennifer Ehle, Indrajit
Director: Santosh Sivan
Official Site

Set in 1930s southern India against the backdrop of a growing nationalist movement, “Before the Rains” is the English language debut of acclaimed Indian director Santosh Sivan. An idealistic young Indian man finds himself torn between his ambitions for the future and his loyalty to the past when people in his village learn of an affair between his British boss and a village woman.
As his paradise begins to disintegrate, Moores calls on T.K. for help. But some problems aren’t so easily solved.

Directed by Santosh Sivan (“The Terrorist”) from a screenplay by Cathy Rabin, “Before the Rains” — which was screened at the recent Tribeca Film Festival in New York — is a melodrama with political undertones. The film is set in 1937, a time of Indian resentment toward British rule. Clearly, the proceedings have a metaphorical dimension. But to the filmmakers’ credit, Moores is far too complex to be a mere caricature.

Unfortunately, the character is caught in an all-too-predictable scenario involving sex, lies and suicide, which Sivan serves up as if it’s fresher than spring rain.

Still, Roache — who starred with Helena Bonham Carter in “The Wings of the Dove” and recently joined the cast of “Law & Order” — turns in an intriguing performance as a man whose biggest struggle is with himself. Also impressive is Bose, who gracefully traces T.K.'s transition from wide-eyed naïf to world-weary survivor.

http://movies.nytimes.com/2008/05/09/movies/09rain.html

After Them the Monsoon: Two Worlds Collide in India
STEPHEN HOLDEN
Published: May 9, 2008

Fatal culture clash, imperialist entitlement, forbidden passion between master and servant: the ingredients of the Indian director Santosh Sivan’s period piece “Before the Rains” may be awfully familiar, but the film lends them the force of tragedy. From the moment Moores (Linus Roache), an arrogant British planter in the southwestern Indian state of Kerala, hands a gun to his loyal manservant T. K. (Rahul Bose), you can be certain that the weapon will be discharged and lives destroyed.

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Moores has a grand scheme to build a road into the jungle, the better to transport spices for export, but it must be completed before the monsoon season. Some of the most visually striking scenes in the lavish, beautifully photographed film, which was made on location in Kerala, show a virtual army of laborers from the nearby village hacking down trees and digging the road. It isn’t quite slave labor, but almost.

“Before the Rains” is adapted from “Red Roofs,” the longest of three unrelated stories in the Israeli director Dany Verete’s 2002 film, “Yellow Asphalt,” which explored the collision of modern customs and tribal traditions in contemporary Israel. In that movie a wealthy Jewish farmer who has an affair with his Bedouin housekeeper forces his assistant, a Bedouin tribesman, to initiate drastic damage control once the relationship is detected. With a screenplay by Cathy Rabin, “Before the Rains” has been to moved to colonial India in 1937. The transition from one culture to another is seamless.

Moores, played by Mr. Roache with a cunning charm that masks an authoritarian severity, is carrying on a passionate affair with his housekeeper Sajani (Nandita Das), a beautiful, naïve woman who commutes from the village to work at his nearby ranch. One afternoon they are accidentally spied making love at a waterfall by two young boys from the village, who report seeing Sajani with an unidentified man.

When her husband, Rajat (Lal Paul), interrogates her, Sajani’s evasive replies drive him into a fury and he savagely beats her, which under tribal law is within his rights. Since Moores’s wife, Laura (Jennifer Ehle), has recently arrived from England with their son Peter (Leopold Benedict), Sajani has already become someone to be kept hidden, although Moores still swears he loves her.

But when Sajani shows up wounded at his door in the middle of the night, he insists she leave as soon as possible. The next day he hands her money and entrusts her to T. K., who is ordered to make sure that she leaves. Before departing, she asks Moores one last time if he loves her, and after a pause, he coldly answers no.

“Before the Rains” doesn’t dawdle in sentimentality. As much as you sympathize with Sajani’s hopeless plight — she is a pariah with nowhere to go — the film is a dispassionate study of how power, when threatened, ruthlessly exercises its prerogatives. For as long as he can get away with it, Moores lies to his wife about the reasons for the escalating turmoil. Nowadays it’s called stonewalling.

The movie’s most compelling figure is the unfailingly loyal T. K., who is instructed to violate native customs in a desperate cover-up. A stoic, taciturn man who loves his boss too much, he is a lost soul who has foolishly imagined he could keep one foot in the tribal world and the other in the modern.

But for all his ability at navigating between the two, T. K. is as naïve in his way as Sajani. The movie is too sophisticated to make Moores an evil caricature. He is simply the embodiment of the kind of power that when endangered reveals its true nature.

“Before the Rains” is rated PG-13 (Parents strongly cautioned). It has some violence and a sex scene.

BEFORE THE RAINS

Opens on Friday in New York and Los Angeles.

Directed by Santosh Sivan; written (in English and Malayalam, with English subtitles) by Cathy Rabin, based on the film “Red Roofs,” part of “The Desert Trilogy: Yellow Asphalt” by Dany Verete; director of photography, Mr. Sivan; edited by Steven Cohen and A. Sreekar Prasad; music by Mark Kilian; production designer, Sunil Babu; produced by Doug Mankoff, Andrew Spaulding, Paul Hardart, Tom Hardart and Mark Burton; released by Roadside Attractions and Merchant Ivory. Running time: 1 hour 38 minutes.

WITH: Linus Roache (Moores), Rahul Bose (T. K.), Nandita Das (Sajani), Lal Paul (Rajat), Jennifer Ehle (Laura), Leopold Benedict (Peter) and John Standing (Humphries).