Komal,
Taal & HDDS, were really variants of the same story - but than with a few exceptions there really only four distinct plots in Indian films, the difference only being on how well the story and the presentation is
Example:
Plot 1 - boy/girl's families oppose marriage
Plot1(a)-Girl's family doesn't like boy
-story revolves around boy winning girl's family
Plot1(b)-Boy's family does not like girl
-see above
Plot1(c)-Boy/girl from feuding families in love
-love will bring them together (or in the better films like QSQT, hero/heroine die
Plot1(d)-The rich/poor love story
-money is the cause of seperation - see above
Plot2-The love Triangle
-Usually two heroes loving same girl, where naturally they also happen to best friends since childhood, or they happen to meet and become best freinds. Since they are best freinds, one of them has to die (since he lost in love/for the sake of the freindship - ie. Sangam & it's clone Ram Avtaar).
-Unusaual case where there are two women in love with the same man (losing women almost always die's - usually saving the man she loves, because as everyone knows an indian women only falls in love once, and since she can't love anyone else, the director has to kill her off for audiences to find the ending acceptable)
Plot3 The Revenge story
Hero must avenge death/rape/torture of family/mother/sister, or the defrauding of family fortune by eveil uncle (Amrish puri can probably play this role in his sleep)
Plot 4 The Indian Godfather/Gangstser film
This usually manges to put all three of the first three plots and blends them with the storyline of the Godfather.
The new (if you don't count Manoj kumar films)disturbing trend is how Hindustan is at the mercyof the evil Pakistani insurgents that are responsible for all of the violence/looting/corruption in India.
So it really shouldn't be a great surprise that Taal, HDDS have similar stories. The only difference is that HDDS was exceptional presentation from the cinematraphy, acting (Ash and Ajay were suberb), presentation of the story and the direction.
while Taal had great cinematagraphy, acting (Ash, Anil, Akshaye - contrary to the reviews, I thought did a good job in his role , and I think that most of the bad reveiws he got were because he played against the norm - much like AK in Lahme - of the strong Indian hero who will forcefully win over the heroine, and his/her family). The weakness stemmed from Subesh Ghai's direction & script. The ending of the film was a disapointment to an other wise superb film. Considering the ending, I had to laugh at his quote explaining why Tall is doing well overseas, but is not a hit in most of India. With such a cliche & melodramatic ending for him to say that Taal "is a film for the classes not the masses" is laughable.
Anyways, I gave you the long winded explanation on your point that Taal & HDDS have similar storylines.
[This message has been edited by KhurramS (edited September 02, 1999).]